March 5, 2026

Textures - Genotype - Album Review

Textures returns with an ambient new album, Genotype. It is a fascinating listen and we suspect you will as well.

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Textures released their latest album Genotype in January of 2026 and because John is an insatiable fan of music that can be hard to tap your toes to, the guys had to get into it. Derek and John spent some time exploring its ambient and progressive metal elements, vocal styles, and production quality. They also got into a bit of the band's evolution, their favorite tracks, and the importance of music in coping with life's challenges.

00:00:00.240 Textures dropped their first album in a
00:00:02.800 long time at the end of January and uh I
00:00:06.400 am a fan, full disclosure right up
00:00:08.720 front. So, let's talk about it.
00:00:14.880 >> What's up, dude? What' you think?
00:00:16.960 >> Genotype.
00:00:18.160 >> Did I say that correctly? Is that
00:00:19.600 >> genotype? Genotype.
00:00:20.720 >> Genotype. Genotype.
00:00:22.880 Yeah, they had an album that they the
00:00:25.760 the previous album before the band broke
00:00:28.000 up in 2017 was Phenotype.
00:00:31.119 >> Phenotype. Yeah.
00:00:31.920 >> Or Phenotype, I don't know.
00:00:33.840 >> Um and then of course they disbanded.
00:00:36.640 >> Um I know that initially the album that
00:00:39.600 just came out was meant to be a sort of
00:00:41.200 a companion piece with Phenotype and it
00:00:45.360 is not. They decided to just scrap
00:00:47.280 everything and and write all new
00:00:49.120 material which is I hey whatever. I
00:00:51.520 would have liked to have heard what they
00:00:52.719 had going. But your thoughts, sir?
00:00:56.160 >> Well, my understanding is this is
00:00:57.920 experimental ambient leaning uh music.
00:01:02.320 Uh less genty is what I have read about
00:01:06.400 it. Um I listened to it several times
00:01:09.520 through. It is definitely ambient in
00:01:12.080 nature. Uh much more so than phenotype
00:01:15.119 was. Uh, I really really like the song
00:01:18.080 uh shaping a single grain of sand on
00:01:20.080 phenotype. Like it's a amazing
00:01:22.880 >> Yeah.
00:01:24.159 >> amazing track and so I kept looking on
00:01:27.439 on this record for something that was
00:01:29.759 similar to that and I never got it.
00:01:33.360 >> So that's not to say that the record
00:01:35.680 sucks, but it was not nearly as heavy as
00:01:39.040 the previous record.
00:01:40.479 >> That is one of my absolute favorites of
00:01:42.880 theirs. Um, Storm Warning is another.
00:01:45.920 Uh, I I am a, you know me, I'm the
00:01:48.720 Prague guy between the two of us. This
00:01:51.200 band has has tickled me in all the right
00:01:53.040 places uh over the years, and I was
00:01:55.840 excited when this came out. Um, but
00:01:58.880 you're right, it is there are moments of
00:02:00.799 of sort of the older school uh textures
00:02:04.479 throughout the record, but yeah, it is
00:02:06.479 definitely uh not spacey, but yeah, a
00:02:09.598 little more ambient. There's the intro.
00:02:11.680 Void is uh is I love it. I think it's a
00:02:15.120 great intro. It
00:02:16.800 >> it's very theatric and cinemat the whole
00:02:19.040 album is very theatric and cinematic in
00:02:21.040 nature. And uh I it sets the tone. And
00:02:25.200 then of course the first the first big
00:02:27.520 track um just comes in at the at the
00:02:31.440 edge of winter with Charlotte. I think
00:02:33.360 it's Wessles or Wels.
00:02:34.480 >> Wessles. Yep.
00:02:35.519 >> And she's great. Um I don't know. I
00:02:38.480 mean,
00:02:40.000 you're to simplify it, you're more the
00:02:42.319 thrash guy or I'm more the Prague guy.
00:02:44.800 Vocally, I think that this album sits
00:02:48.400 with a lot of other progressive metal
00:02:50.160 bands with like some heavy VBR and
00:02:52.560 stuff. How does that sort of vibe land
00:02:54.879 with you?
00:02:56.480 You know what's funny is I was taking a
00:02:59.040 crap actually before this and I was
00:03:01.120 thinking whether or not I wanted to say
00:03:04.159 what I'm about to say to you is I felt
00:03:06.319 like the vocals were a weakness on this
00:03:08.480 record. I I really liked the vocals on
00:03:12.080 the prior record uh phenotype much more.
00:03:15.200 I am more of an aggressive listener
00:03:18.480 >> and I just felt like it was a little bit
00:03:21.200 forced. Um, I wasn't in love with it.
00:03:24.159 And in fact, I was thinking that I would
00:03:26.640 would have actually liked this record to
00:03:28.400 almost be just ambient without vocals on
00:03:30.959 it because there's a lot to hear, you
00:03:33.280 know, from a musical standpoint on on
00:03:35.280 the entire record. Um, you know, at the
00:03:37.680 edge of uh Winter, it's a weird duet for
00:03:41.360 me. It's it's a very strange track. I
00:03:44.319 didn't dislike it. I didn't love it, but
00:03:47.120 I loved parts of Phenotype. And that was
00:03:49.840 the difference for me. It was like I I
00:03:51.760 just couldn't sink my teeth into this
00:03:53.680 and get into it the way that I did with
00:03:55.680 the prior record.
00:03:56.959 >> Well, I'll tell you I I don't love
00:03:58.879 everything that they've put out. Um I I
00:04:01.840 wouldn't say I dislike anything that
00:04:03.599 they've done, but you know, as we were
00:04:06.319 saying, um you know, Arms of the Sea,
00:04:09.360 Storm Warning, Shaping a Single Grain of
00:04:11.360 Sand St. Each album has had standout
00:04:14.239 tracks and this album is no different in
00:04:16.079 that regard. And I think that the thick
00:04:19.918 VBR vocal style is
00:04:24.080 I don't it's not good, it's not bad. It
00:04:26.160 is what it is. And if you like it, you
00:04:28.080 like it. If you don't, you don't. Like
00:04:30.320 Dream Theater. When I first got into
00:04:32.000 into progressive metal uh in what God
00:04:35.840 trying to remember when Images and Words
00:04:38.000 came out.
00:04:38.560 >> Yeah.
00:04:38.800 >> And James Lee's vocals with Dream
00:04:40.880 Theater. That was the one thing that I
00:04:43.280 and I love Dream Theater, but his vocal
00:04:45.280 style is that heavy thick VB and it's a
00:04:48.960 little too it's always been a little too
00:04:50.800 oporadic for me and kind of takes me out
00:04:53.840 of the metal vibe and it's a personal
00:04:57.840 preference thing. Music is subjective as
00:05:00.000 we all know. Uh but I don't totally
00:05:04.320 disagree. I prefer Daniel's the lead
00:05:07.120 vocalist. I prefer or vocalist rather. I
00:05:10.000 prefer his more aggro, gnarly uh
00:05:14.000 passages than I do the clean stuff.
00:05:16.080 Though I do like there are some pretty
00:05:17.919 cool clean vocals on this album, I
00:05:20.880 think. Um yeah, Vanishing Twin, you
00:05:23.199 know, very emotional uh incredibly
00:05:26.479 emotional. It's kind of like for me it
00:05:28.160 was like the very heart of the record.
00:05:30.000 It was haunting and the best way
00:05:32.160 possible. Um, and so that that stood out
00:05:35.039 to me, whereas that probably wouldn't
00:05:37.360 have fit in phenotype prior.
00:05:39.440 >> Well, the the intro, I think it's uh
00:05:41.199 Vanishing Twin, where they have that uh
00:05:43.360 that kind of Cynthy Voder style
00:05:47.039 >> vocal intro, which I apparently the band
00:05:48.960 has joked that that is their Prague
00:05:51.120 metal uh answer to like Bohemian Raps
00:05:53.360 City or something like that.
00:05:54.639 >> Oh, okay.
00:05:55.199 >> Um,
00:05:56.479 >> but uh yeah, some great drums in that in
00:06:00.000 that track. band members. I'm going
00:06:01.840 sticking with first names because I'll
00:06:03.440 I'll kill the last names.
00:06:05.280 >> Uh the band is from Tilberg in the
00:06:07.120 Netherlands. We have uh Daniel Dejon, I
00:06:10.560 think, on vocals, Bart and Joe on
00:06:14.319 guitars, Remco on bass, Yuri on keys,
00:06:17.919 and Steph on drums. And they're all
00:06:20.639 great musicians. They they they're top
00:06:23.520 tier, and they they bring strong
00:06:26.400 performances to the record. Um, it was
00:06:30.560 produced by Forester Sevel or Savile.
00:06:34.400 Again, we're just terrible with names
00:06:35.919 and I'm worse today than than I usually
00:06:37.600 am. Um, he mixed the album. He's worked
00:06:40.479 with Carnival, who is another favorite
00:06:42.160 band of mine. I think from a production
00:06:44.000 standpoint, it's a great record. It's
00:06:46.000 really thick production. It's a big
00:06:48.400 record and I love the overall tone of
00:06:50.960 it. And he did a great job mixing these
00:06:53.039 tracks uh to really give each instrument
00:06:57.039 uh its own space. And uh I think vocal
00:07:00.720 stylings
00:07:02.479 I don't know if I'd go so far as to say
00:07:03.919 it was a weak point on the album. Not my
00:07:06.000 favorite part of the album, but the
00:07:08.240 album package as a whole I think was
00:07:10.479 really well produced and and and uh is a
00:07:13.440 great finished product.
00:07:16.319 The general consensus is in looking at
00:07:18.319 other media out there is that this is a
00:07:20.800 master class in progressive metal. Um I
00:07:24.720 prefer my progressive metal to be much
00:07:27.199 more aggressive. Uh, Mashuga, for
00:07:30.080 example, you turned me on the Mishuga
00:07:32.560 years ago and I loved them. And I kind
00:07:35.199 of looked at it and I go, well, if I was
00:07:37.120 a fan of textures the way that I'm a fan
00:07:40.160 of Mishuga and they came back with all
00:07:42.400 this ambient melodic stuff,
00:07:46.560 >> I would not love it. I want to hear the
00:07:49.199 blood and the gore and the and the
00:07:50.800 rhythmic um, you know, onslaught that is
00:07:54.800 Mishuga. And so I don't know if the band
00:07:58.800 are going to love this or hate it, but I
00:08:01.199 think for
00:08:02.879 folks that are probably not progressive
00:08:06.240 or know who textures are, this is a
00:08:08.160 great launching point into them and then
00:08:10.000 go backwards and listen to the more
00:08:11.520 aggressive stuff.
00:08:12.639 >> Agreed. Yeah, I think it's a it's a
00:08:14.319 great entry point um not just for people
00:08:17.280 getting into textures, but maybe folks
00:08:19.199 who want to dabble in uh in the
00:08:21.919 progressive metal waters. Uh Mishuga, as
00:08:25.199 you know, were both huge fans and they
00:08:27.520 are I've you know, Mashuga is the
00:08:29.599 godfathers of progressive metal to me.
00:08:32.080 You know, when you think of the early I
00:08:35.039 mean, they've been around for 40 years,
00:08:37.679 but there's a reason they're so good.
00:08:39.519 They've been doing it a long time, and I
00:08:41.279 think they sort of pioneered the style
00:08:42.880 to an extent, and they they they come
00:08:46.320 hard. and excuse me, Yens as a as a
00:08:50.160 vocalist with Mishuga, he has a very
00:08:53.040 very aggro vocal style and I too love it
00:08:56.399 and lean towards that side of vocals
00:09:00.160 when it comes to aggressive music. But
00:09:02.080 I'll say that and then turn right around
00:09:03.920 and bring up Tessaract, a band who is
00:09:07.600 very genty and and mathy and and
00:09:10.160 progressive metal oriented. and they
00:09:12.560 have they have now and have had
00:09:14.959 vocalists who are very melodic and very
00:09:17.360 clean. The last vocalist that Tesseract
00:09:19.839 had was all clean. Um,
00:09:22.640 >> so I I I think that clean vocals
00:09:25.279 certainly have a place. Uh, but I
00:09:27.839 appreciate that if you're into the more
00:09:29.440 aggro style, you're into the more aggro
00:09:31.120 style.
00:09:32.080 >> I tend to like poly rhythmic, you know,
00:09:35.279 progressive metal. I mean, let that's
00:09:37.440 the word. Um, and again, you're the more
00:09:40.080 of the expert on Prague, but I like the
00:09:41.920 poly rhythmic version with the more
00:09:43.680 aggressive side. And so, this didn't
00:09:45.760 touch all the buttons for me. Uh, I am
00:09:47.839 excited about the the fact that uh I was
00:09:50.640 able to go back and listen to uh
00:09:52.720 Phenotype. And I will listen to that
00:09:55.120 record probably a lot more than this
00:09:57.120 one. And so, for those of you who are
00:09:59.360 watching or listening to the podcast,
00:10:01.760 take that for what it's worth. I think
00:10:03.279 that giving both records a chance is a a
00:10:06.240 great way to go. Um, there's a lot to
00:10:08.399 hear. They're super talented. I just
00:10:10.399 don't love the vocals on this record
00:10:12.080 comparatively.
00:10:13.200 >> Are there any songs on the album that
00:10:15.040 you would pick out and put on a
00:10:16.480 playlist? Uh, anything from this along
00:10:19.600 with their other other albums?
00:10:22.000 >> Yeah, I mean, I thought Measuring the
00:10:23.680 Heavens was, you know, it kind of built
00:10:25.680 tension. Um, and then it finally did a,
00:10:28.399 you know, there was a payoff there.
00:10:30.320 >> Um, you know, I I like the intricate
00:10:32.880 synth synth as pretty deep into the
00:10:36.079 track. that was really good as well. Uh
00:10:38.160 kind of a kicking in the nuts, if you
00:10:40.560 will. Um you know, but for the most
00:10:43.200 part, I kind of and I liked Vanishing
00:10:44.959 Twin quite a bit. I thought Closer to
00:10:46.959 the Unknown was super accessible, a
00:10:49.200 little too accessible for me.
00:10:51.200 >> Um I didn't love that one at all. And um
00:10:55.360 the one thing I will say is I was glad
00:10:57.040 that they they kept the the track list
00:10:59.360 at eight. um they didn't go too far and
00:11:02.000 they didn't go too far down the the
00:11:04.640 rabbit hole of cinematic sounds because
00:11:07.120 they could have very easily done that
00:11:08.480 and put a couple, you know, tracks at
00:11:10.160 the end here that were had nothing to do
00:11:12.560 with metal at all and they didn't. They
00:11:14.160 they stayed kind of true to their sound
00:11:16.480 and what they were looking to do.
00:11:18.480 >> 45 46 minute run time for the whole
00:11:20.880 record and they've got some longer
00:11:22.560 tracks in here. Interesting that Closer
00:11:24.480 to the Unknown was not a a well, it's
00:11:26.880 not interesting. It is what it is. Not
00:11:28.480 one of your favorites. That was one of
00:11:29.839 the standouts to me that I I felt that
00:11:32.399 that brought a lot of the prototypical
00:11:34.720 textures elements to it and
00:11:37.279 >> kind of took me back to some of the
00:11:38.720 tracks that I really loved by them.
00:11:40.399 >> It was really catchy. Um, and I maybe
00:11:42.560 that's what I didn't love about it was
00:11:44.560 how catchy it was cuz you know it and
00:11:47.440 again maybe I'm ruined when it comes to
00:11:50.959 Prague because of Mishuga,
00:11:53.440 >> you know, and you might have ruined me
00:11:55.360 with it because I everything else I
00:11:57.680 compare it to them and it doesn't
00:11:59.680 compare.
00:12:00.720 >> And I do blame you. You're the you're
00:12:03.920 you're a jack wagon for ruining all
00:12:06.720 progressive metal for me. Um, but so
00:12:09.440 much so that I actually just found uh a
00:12:12.160 download of them at I believe it was
00:12:14.560 Whacken a couple years ago on the
00:12:17.200 Immutable Tour and I downloaded the
00:12:19.760 whole thing on MP3 and I have it on, you
00:12:23.440 know, and I've been playing it pretty
00:12:25.200 much nonstop
00:12:26.880 >> and I hate to say this, yesterday I was
00:12:29.279 driving back from dropping my kids off
00:12:32.079 uh cuz I had them for vacation and I
00:12:35.360 listened to textures for about 20
00:12:37.839 minutes of the ride and then I went and
00:12:40.800 listened to Mishuga.
00:12:42.480 >> Went to Mishuga
00:12:43.519 >> and I listened to that live whacken
00:12:46.560 recording.
00:12:47.839 >> So good.
00:12:48.800 >> It is. It really is good.
00:12:51.040 >> Well, you and I have talked I mean we're
00:12:52.959 this is as much about Mishuga. We're
00:12:54.959 making this as much about Mishuga as as
00:12:57.279 it is textures. But you and I have
00:12:59.920 talked recently about wanting them to
00:13:02.560 put out a live record of, you know, some
00:13:05.360 of the current tours. And this may, you
00:13:07.839 know, those recordings may be as close
00:13:09.760 as we're going to get.
00:13:11.120 >> Yeah. Well, you never know. I mean, and
00:13:12.880 I sent those all to you on MP3 and they
00:13:15.600 are out there. If you're looking for
00:13:17.120 them, just go on YouTube and people take
00:13:20.000 them, uh, track them,
00:13:22.560 >> upload them as MP3s as you just direct
00:13:25.760 downloads. Um, in fact, I have them. So,
00:13:28.639 if you're interested, DM us and I'll
00:13:30.480 send them to you cuz they're really
00:13:32.480 worthy. Um, but uh, you know, back to
00:13:36.079 textures. I mean, look, there's way more
00:13:38.720 talented than I am. Um, so I shouldn't
00:13:41.120 be complaining too much, but you know,
00:13:43.279 just when it comes to personal taste, I
00:13:45.839 appreciated the more aggressive side.
00:13:48.079 I've said this three times and I'll say
00:13:49.760 it again. Um, but it's it's it's worthy
00:13:52.959 of your time. I think that starting with
00:13:54.800 this and then going backwards is the
00:13:56.560 right way to go.
00:13:58.079 >> It'll be interesting to see where
00:14:00.000 textures goes from here. you know, they
00:14:02.639 the they took a pretty pretty extended
00:14:04.959 hiatus and uh I think this is a very
00:14:07.760 strong return, especially after, you
00:14:10.639 know, pretty pretty damn strong records
00:14:13.120 before, uh, you know, in the early
00:14:15.360 2000s. So, I'm excited to see what they
00:14:18.240 do. I have not seen them live. I would
00:14:20.320 love to see them live. Um, it's always,
00:14:23.760 you know, when you have your favorite
00:14:25.360 band or the a band that you're really
00:14:26.959 into. I get a little nervous uh when it
00:14:30.399 comes time to seeing them live because I
00:14:32.079 never want to be disappointed by a band
00:14:35.120 that can work magic in a studio but then
00:14:38.959 can't replicate it live. And I would
00:14:41.680 expect that a band that has such
00:14:43.920 talented players as Textures, I would
00:14:46.959 expect that they can get up and
00:14:48.240 replicate it, do a pretty a pretty fine
00:14:50.320 job of presenting the material live. But
00:14:53.760 it's tough. I mean, some of the the
00:14:56.160 music, especially the progressive stuff
00:14:57.760 that's out now, it's super super
00:14:59.440 involved and the parts are not
00:15:01.680 necessarily uh you know, intrinsically
00:15:03.920 simple or easy to play. Um, and so I I
00:15:08.639 get a little I get a little twitchy
00:15:10.320 like, "Oh [ __ ] I hope these guys get up
00:15:12.000 there and just crush it because I want
00:15:13.360 to leave." I think everybody wants to go
00:15:15.040 to a show and see the most amazing live
00:15:17.279 music they've ever seen before. And it's
00:15:19.040 disappointing when when a band doesn't
00:15:20.959 hit the mark. My expectation is that
00:15:23.199 Textures would be a great live band, uh,
00:15:25.920 you know, up close and personal. So
00:15:27.920 hopefully we'll get the chance to see
00:15:29.440 it. They're very Devon Townsenlike. And
00:15:33.279 I think that if you like Devon Townsen,
00:15:36.399 you'll probably really like this band,
00:15:38.399 especially this record.
00:15:40.000 >> I think that it it there's a good uh
00:15:42.079 metamorphosis there. Um if I could, I I
00:15:44.480 want to get, you know, use um our very
00:15:46.959 little platform for the three people
00:15:48.560 that um stick with us. uh a seat for the
00:15:52.160 like-minded really got me thinking um
00:15:54.720 about people and there's people in our
00:15:57.279 lives and for some life is much heavier
00:16:00.320 and harder for them. Um, and a lot of
00:16:03.440 that has to do with mental health. And
00:16:05.839 so I wanted to take this moment to
00:16:08.639 remind everybody that if you love
00:16:10.560 somebody and people are around you, but
00:16:12.320 they're life is harder and they make
00:16:14.240 your life more difficult and they suck
00:16:16.079 you in and they take up a lot of space,
00:16:19.040 remember that you are there to help
00:16:21.440 them. And I think it's hugely important
00:16:24.399 for people to um accept that some people
00:16:27.360 have mental health problems and don't
00:16:29.360 hold it against them, but help them. uh
00:16:32.000 you know just just help them any way
00:16:34.079 that you can. Ask them to go get help,
00:16:36.000 mental help, get um you know, if they
00:16:38.240 have a a mental disorder that is a
00:16:40.480 chemical imbalance, um psychiatric help,
00:16:43.440 getting some medicine can help. But uh
00:16:45.680 don't give up on your your friends and
00:16:47.279 your family. It's it's hugely important
00:16:49.279 to um stay in that foxhole with them.
00:16:52.000 >> Yeah. Yeah. uh just on on the human side
00:16:54.880 um you know be a we I think everybody
00:16:58.639 probably wants to be a good steward for
00:17:00.880 humanity. I think it's inherent in
00:17:02.959 people to just be good and be good to
00:17:04.959 your neighbor and you know your brother
00:17:06.720 and your friend and your co-workers and
00:17:08.400 that sort of thing. And uh my I
00:17:10.640 appreciate the sentiment. Um, and you
00:17:13.520 know, equally as important, when when
00:17:16.240 someone is struggling and you stay there
00:17:18.959 to help prop them up or just be there in
00:17:22.480 the room with them, whatever it is that
00:17:23.919 they need, take uh take note when things
00:17:26.640 are great, too.
00:17:28.559 >> And appreciate the days that are
00:17:30.559 awesome, when there isn't something bad
00:17:34.000 happening. And I'm I'm very guilty of
00:17:36.160 that. I I have to remind myself like,
00:17:40.000 "Oh [ __ ]
00:17:40.960 >> take note that today is [ __ ] amazing
00:17:44.559 and that things are good and that, you
00:17:46.320 know, me and the people around me are
00:17:48.400 having great days and embrace those days
00:17:50.880 because life is hard. Life is [ __ ]
00:17:53.760 hard, man."
00:17:54.880 >> You know, and the right things are the
00:17:56.559 hardest things to do and and it is
00:17:58.559 easier to write people off. Um, and I
00:18:01.280 think that we live in a society and
00:18:02.960 look, let's be honest, you know, the war
00:18:05.039 just broke out in the Middle East with
00:18:06.640 Iran and you turn on the news and it is
00:18:10.240 >> pretty desolate and it's it's hard and
00:18:14.559 but what is easy to do is to give up on
00:18:18.559 the people that need you at the time
00:18:20.880 that they need you. And I and again,
00:18:24.000 music and art is supposed to bring that
00:18:26.400 stuff out of you. And when I was
00:18:28.559 listening to this yesterday, um you
00:18:31.520 know, a seat for the like-minded really
00:18:33.760 did um really did sit with me and it
00:18:38.480 made me start thinking about somebody in
00:18:40.799 my life that needs help
00:18:42.880 >> and how easy it would be for me to run
00:18:45.440 off and uh I'm not going to do that. Do
00:18:49.440 I want to sometimes? Yes.
00:18:51.919 >> But I'm not going to. And so again, use
00:18:56.080 that for what it's worth. And thank you
00:18:58.160 for textures for drawing up that emotion
00:19:00.960 out of me to get me to reflect.
00:19:03.200 >> Yeah. Yeah. It's it's tough to find the
00:19:06.160 uh to find the good and the positive
00:19:07.919 sometimes, especially when it's when
00:19:10.160 things are at their darkest. And as you
00:19:12.400 said, society, things are kind of dark
00:19:15.919 >> still these days. And
00:19:18.320 >> yeah,
00:19:18.799 >> um I mean thank God for music and art
00:19:21.039 and the things that we find beauty in
00:19:24.160 >> uh you know the little things as well as
00:19:26.320 the big things.
00:19:27.840 >> It is the small things too and you know
00:19:30.240 again finding you know I didn't want to
00:19:32.000 come on here and crap on textures cuz I
00:19:33.760 don't like the the vocals on it. Right.
00:19:35.840 But you know I but there is those little
00:19:38.799 things and it was that that stood out
00:19:40.799 for me but there's little things like
00:19:42.240 putting on a Black Sabbath t-shirt. Um,
00:19:45.200 you know, my uh my partner Heidi got me
00:19:49.280 um hand sanitizer that smells like the
00:19:52.320 resort that we stayed at at Disney. And
00:19:54.880 it's does smell like the resort and it
00:19:57.120 takes you back there. And it's those
00:19:58.640 little tiny things that can get you
00:20:00.960 through some of those dark days. And you
00:20:03.039 know, turn off the news. Just turn it
00:20:05.679 off. If you can't handle it and you
00:20:07.360 don't want to hear it, turn it off and
00:20:09.679 go listen to textures. Go listen to
00:20:11.600 Mishuga. Go put on your favorite
00:20:13.120 Metallica record. Go put on whatever
00:20:15.440 black metal band that's come out that's
00:20:17.520 super dark and evil and turn, you know,
00:20:19.520 twist your knobs in the right way.
00:20:21.120 >> Yeah. Hell to hell, for that matter,
00:20:22.559 throw on some Van Morrison, some Neil
00:20:25.039 Diamond, whatever it is that turn your
00:20:26.559 wheel turns your wheels and lifts you
00:20:28.480 up.
00:20:29.280 >> Yeah.
00:20:30.000 >> Take advantage. I mean, sure, somebody
00:20:33.120 people have put lots of heart and soul
00:20:35.120 into
00:20:35.919 >> into these artistic endeavors over the
00:20:38.000 years. And I sure I mean I'm I'm sure
00:20:40.080 plenty of artists write just for
00:20:41.440 themselves uh and produce art works of
00:20:44.880 art just for themselves and that's great
00:20:47.120 but uh it the fact that they share it
00:20:49.120 with us like we get to use them as a as
00:20:52.080 tools.
00:20:53.280 >> DM us and we'll give you some stickers.
00:20:57.520 Send us your address and I will drop
00:20:59.840 them in the mail. I got a bunch.
00:21:01.760 >> Yeah. some some guy we wound up on one
00:21:05.679 of our we'll quote unquote call him a
00:21:07.520 listener uh Roger from Vermont we you
00:21:10.640 know wound up on a sticker as he called
00:21:13.039 us out as the worst podcast he's ever
00:21:15.200 heard and I couldn't be more proud of
00:21:17.120 his feedback so thank you
00:21:19.679 >> yeah and uh keep you know for all the
00:21:22.080 trolls out there keep leaving comments
00:21:23.919 and telling us we don't know our asses
00:21:25.440 from a hole in the ground
00:21:26.960 >> and we've got some some new listeners
00:21:28.960 some new subscribers on YouTube and some
00:21:30.880 of the other social media channels So,
00:21:32.320 welcome. We appreciate that you check it
00:21:34.080 uh check our stuff out. Uh if you uh
00:21:36.799 agree with it, awesome. If you don't
00:21:38.320 agree with it, that's cool, too. Feel
00:21:40.720 free to, you know, we're not sitting in
00:21:43.039 a silo here. So, you have an opportunity
00:21:45.440 to comment and let us know what you
00:21:47.120 think. So, definitely go right ahead.
00:21:49.360 Yeah, I I I really thoroughly enjoy the
00:21:51.679 record. Uh there's things I love,
00:21:54.000 there's things that I don't love as
00:21:55.280 much, but overall, I think it's a great
00:21:56.799 package. and uh textures, genotype,
00:22:00.159 genotype, we don't know. We're idiots,
00:22:03.919 but uh it's it's worth a listen for
00:22:05.840 sure. So, enjoy it.
00:22:08.400 >> Yeah, sounds good. We'll see if we can
00:22:09.840 get some interviews and see if we can uh
00:22:11.840 tee up something uh really good that's
00:22:14.159 on the horizon for you guys to uh check
00:22:16.240 out soon.
00:22:17.200 >> Indeed. Like, comment, subscribe, share
00:22:19.360 the video, and tell us how idiotic we
00:22:21.840 are. Until next time.