March 31, 2026

CHAMBER - Jacob Lilly - Interview

Nashville's metal scene is thriving in ways you never expected—chaotic, intense, and deeply connected. John and Derek sat down for a conversation with Jacob Lilly, vocalist of Chamber, and he pulled back the curtain on their latest album this is goodbye… revealing how chaos, emotion, and raw energy define their sound and their journey. Discover how they push musical boundaries with producer Randy LaBeouf.

Apple Podcasts podcast player badge
Spotify podcast player badge
Amazon Music podcast player badge
YouTube podcast player badge
PocketCasts podcast player badge
iHeartRadio podcast player badge
Overcast podcast player badge
Deezer podcast player badge
RSS Feed podcast player badge
Apple Podcasts podcast player iconSpotify podcast player iconAmazon Music podcast player iconYouTube podcast player iconPocketCasts podcast player iconiHeartRadio podcast player iconOvercast podcast player iconDeezer podcast player iconRSS Feed podcast player icon

In this episode of Sh!t Talk Reviews, we go behind the scenes with Jacob Lilly, the visceral voice of Nashville’s Chamber. Following the release of their chaotic masterpiece this is goodbye... (which we recently reviewed here in full), Jacob pulls back the curtain on the raw energy and "psychotic mosh metal" that defines their sound.

The Nashville Scene & Technical Chaos

Jacob discusses the thriving Nashville metal arena and the band's evolution under the guidance of producer Randy LeBoeuf (Knocked Loose, The Acacia Strain). We explore how Chamber balances unhinged mathcore chaos with the kind of tight production that rivals legends like Converge. From the technicality of vocal health on the road to the importance of community and legacy, Jacob provides an unfiltered look at what it takes to be at the forefront of the modern hardcore scene.

Touring Life & Global Ambition

We also dive into the band's upcoming tour with Malevolence and Guilt Trip, their focus on fan interaction, and their future plans for global domination via Pure Noise Records. Whether you’re a fan of dissonant riffs or you’re an artist looking for insights on the "service mentality" of touring, this conversation is a must-listen.

Want more deep dives into the technical side of metal?

WATCH JACOB GO OFF!


LISTEN

STR Comics

# CHAMBER - Jacob Lilly - Interview
# https://www.youtube.com/watch/qBCSQKQAnYg

00:00:00.160 Historically, Nashville is known as the
00:00:02.080 capital of country music, spiritual, and
00:00:04.319 bluegrass music. These days, however,
00:00:06.799 Nashville is a hot bed of activity for
00:00:09.440 hardcore and metal core bands. Leading
00:00:11.920 that charge is Nashville's own Chamber.
00:00:14.719 And we are very lucky today to have the
00:00:16.160 vocalist from Chamber, Mr. Jacob Lily,
00:00:18.240 joining us. Jacob Lily, thanks for
00:00:20.240 joining us, man. How are you today?
00:00:22.240 >> Doing great, man. Doing great. How are
00:00:23.760 you guys
00:00:24.240 >> doing? Fantastic. Where where do we find
00:00:26.000 you? Are you in Nashville right now?
00:00:27.359 >> Yeah, I'm in Nashville. I flew in
00:00:29.279 yesterday before we start, you know,
00:00:31.519 touring and stuff.
00:00:32.640 >> Congratulations. Today is the day, huh?
00:00:34.880 The release day.
00:00:36.239 >> Yep. Release day.
00:00:37.680 >> Yeah. What's you You guys have got to be
00:00:39.520 excited. This is a an an amazing album.
00:00:42.640 Congrats on putting together such a a
00:00:44.640 great piece of work,
00:00:45.760 >> dude. Yeah. Thank you guys. It's very uh
00:00:48.079 exciting. Uh you know, like you feel
00:00:50.640 like it's an eternity before you can
00:00:52.800 like release music. So, it feels good to
00:00:54.719 be out there and everyone listening to
00:00:57.039 it, you know, and like, you know, a lot
00:00:58.559 of people feel like like we released a
00:01:02.000 single I think in 2020
00:01:04.879 three, four, I don't know. Every every
00:01:06.960 year runs together.
00:01:08.159 >> Yeah.
00:01:08.560 >> Uh, but we released a single and I feel
00:01:10.720 like everyone was like, "Oh, the album's
00:01:12.479 coming." But it was just like a
00:01:13.520 standalone. So, it felt like we had
00:01:15.200 people waiting forever. Uh, you know,
00:01:17.360 and I'm glad it's finally here, you
00:01:20.000 know.
00:01:20.320 >> Yeah. What was the timeline between when
00:01:22.880 you finished recording it and the heavy
00:01:25.920 lifting was done and today?
00:01:27.840 >> Um, I think we finished it I want to say
00:01:31.119 May 2025.
00:01:33.600 Uh, like I finished recording vocals in
00:01:36.159 May, I want to say. Um, but we started
00:01:39.040 it I want to say in late 2024 cuz we
00:01:42.640 when we did the single we started like
00:01:44.560 pre-production and stuff and then um you
00:01:48.479 know sat on it for a little bit and then
00:01:50.640 went back and like did the record and
00:01:52.880 then I went back and did it was it was a
00:01:55.520 long time for sure but I think in 2025
00:01:58.479 of May we finished everything and then
00:02:00.880 like probably had mixes like two weeks
00:02:02.799 after that and we're not very like picky
00:02:05.600 I don't think and like I think Ry's
00:02:07.200 really good at what he does. So, like
00:02:08.800 when it comes to like mix notes and
00:02:10.318 stuff like that, it might be like two
00:02:11.520 rounds and then we're just like, "Yeah,
00:02:13.120 it's done."
00:02:13.680 >> Well, that's that's not bad. Yeah.
00:02:15.280 >> Yeah.
00:02:15.760 >> You mentioned Randy Labou, who is the
00:02:17.680 producer of This Is Goodbye. Uh the
00:02:20.480 album has been, you know, to me it's an
00:02:22.480 intersection of math core and hardcore.
00:02:24.560 Um was there a just a goal for going in
00:02:27.520 and being just as noisy and miserable
00:02:29.760 and chaotic as possible? Like what was
00:02:31.920 the goal of this record? Uh, I mean, I
00:02:34.560 guess the goal was really just to one up
00:02:37.519 our last record and like I feel like
00:02:39.680 when we did our last record, A Love to
00:02:41.680 Kill For
00:02:43.920 this and with Randy, I feel like he's
00:02:46.640 always like there's no rules. We can do
00:02:48.319 whatever you want, whatever we have our
00:02:50.640 mind set to. And I feel like he's really
00:02:52.879 good at just like pushing us to that
00:02:54.640 limit. And like to be fair, like he I
00:02:57.519 think not a lot of people in the world
00:02:59.760 of like production
00:03:01.760 would push us push us that far and he
00:03:04.959 just does it, you know? He gets it and
00:03:06.959 he's like absolutely just as chaotic as
00:03:10.000 we are. Like it makes it makes sense,
00:03:12.080 you know? He makes it make sense.
00:03:13.599 >> How much of the uh vocal work was
00:03:15.200 written on the fly along with the uh the
00:03:17.440 rest of the music for this album?
00:03:19.440 >> I would say quite a bit. like when uh
00:03:22.239 when we get like done like pre-pro or
00:03:24.640 you know having like the final final
00:03:26.959 like track done, we'll like take it and
00:03:29.840 start doing like gibberish like vocal
00:03:32.159 patterns over it just to like get ideas
00:03:34.480 of like what we can fit and write
00:03:36.400 lyrically there. And so like a lot of it
00:03:38.480 like is like late nights in the studio
00:03:40.879 like staying up late just writing down
00:03:43.360 you know your thoughts like our guitar
00:03:45.200 player uh Gabe and Henry both like help
00:03:48.159 lyrically. I don't do too much because
00:03:50.239 it's they're very smart. So like they
00:03:52.879 write some crazy stuff and like we just
00:03:55.200 all kind of collab on the vocal patterns
00:03:57.040 and stuff and make it make it make
00:03:58.720 sense, you know?
00:03:59.439 >> Yeah. Do would you say that that you as
00:04:01.840 a as a writing team, do you guys sort of
00:04:04.000 have a mental stockpile of ideas or
00:04:06.319 concepts that are kind of rolling around
00:04:08.720 and you pull from that stockpile or
00:04:10.879 would you say that in the instance of
00:04:12.640 this album that which was largely done
00:04:14.799 written in the studio? Is it all just
00:04:17.358 you're feeding off exactly what you put
00:04:19.600 down minutes before or hours before? Uh,
00:04:22.800 I think like a little bit of both, you
00:04:24.800 know, like you're gonna always like kind
00:04:27.120 of have ideas in your head like
00:04:28.960 throughout the days or months prior to
00:04:31.600 recording music. Like even like like
00:04:33.759 same things with like riffs and stuff
00:04:35.440 like not everything's written on the
00:04:37.280 spot, but like most of the stuff kind of
00:04:40.400 has to be just to make it fit, you know,
00:04:42.880 cuz like it is chaotic. There's like a
00:04:44.880 lot of stuff going on and like I feel
00:04:46.800 like if vocally there is a lot of stuff
00:04:49.280 going on, it could be too much. So, I
00:04:51.280 feel like outside of like writing a lot
00:04:53.520 in the studio cuz like you can just say
00:04:55.680 [ __ ] it like and not think too much
00:04:57.919 about it, you know, but like at the end
00:04:59.680 of the day like it comes out pretty
00:05:01.280 sick.
00:05:01.759 >> Yeah. I tried to sing like you in the
00:05:03.600 car cuz that's where I do a majority of
00:05:05.360 my listening and uh I lost my voice in a
00:05:08.560 5minute drive. Um, how do you maintain
00:05:12.320 the chaos in the studio or on the road?
00:05:15.199 Is there something that you do to is it
00:05:17.360 has to be more than just honey and tea?
00:05:19.680 Uh, I'm still figuring it out.
00:05:23.680 >> I feel like your voice, it's kind of
00:05:25.600 like it's kind of like playing an
00:05:27.440 instrument in a way. Like you do it so
00:05:30.320 much. You kind of like like if you're
00:05:32.800 playing guitar, you build up like your
00:05:34.400 calluses on your fingers and stuff like
00:05:35.919 that. I feel like with, you know, harsh
00:05:38.479 singing, it's kind of the same. Like
00:05:40.080 your voice kind of
00:05:41.919 >> kind of like, you know, gets used to it
00:05:44.720 in a way. Um, in the studio I do have a
00:05:47.440 hard time. Uh, like I went back like
00:05:50.320 probably three times just to finish the
00:05:52.320 record just cuz like I would be there
00:05:53.840 for a week lose my voice and be like I I
00:05:57.280 can't like it's not sounding good. I
00:05:58.960 don't know. And like luckily enough like
00:06:00.880 I'm close to the studio so like Ry's
00:06:02.880 like well when you feel comfortable just
00:06:04.479 come back. I'm like all right thank you.
00:06:05.919 Like he's very patient. Um but yeah I'm
00:06:09.120 still still figuring it out. Like a lot
00:06:11.360 of honey a lot of tea. um a lot of like
00:06:14.639 not talking just because like talking
00:06:16.720 does kind of ruin your voice in a way
00:06:19.120 that you don't think especially like in
00:06:20.800 loud rooms like
00:06:22.000 >> if I go like I try to go like when we're
00:06:24.319 on tour I do merch a lot of the nights
00:06:26.240 and like especially when it's loud it's
00:06:28.000 like crap I don't want to be yelling but
00:06:30.240 like I also don't want to be mean you
00:06:31.840 know so
00:06:33.840 but I mean I think there's a lot of ways
00:06:35.600 to help your voice like uh in the studio
00:06:38.479 I learned like steaming is really good
00:06:41.120 like even with like a bowl of hot water
00:06:43.520 and a towel over your head and then like
00:06:45.840 um even like using like he's got the Vix
00:06:48.560 vapor rub like mask thing. I guess it's
00:06:50.800 like a nebulizer or like something with
00:06:52.960 hot steam like doing that like in the
00:06:54.960 morning or at night like definitely
00:06:56.400 helps. Um try not to drink as much
00:06:58.960 caffeine but I do love coffee so it's
00:07:01.280 like whatever.
00:07:02.160 >> Likewise my friend.
00:07:03.440 >> Yeah. Yeah. Um, but yeah, it's it's it's
00:07:05.680 like an instrument in a way. Like I feel
00:07:07.360 like even when we go on tour, like the
00:07:09.440 first couple nights I'm like, "Ah." And
00:07:12.240 then like by the fifth night, if my
00:07:14.000 voice isn't gone, then I'm like, "All
00:07:15.520 right, we made it." Like we're we're
00:07:17.039 good.
00:07:17.280 >> Uh, back to coffee. Uh, are you is your
00:07:19.680 goal solely to get become like a a
00:07:21.759 household metal band? Uh, so that you
00:07:24.000 can make coffee like Mega Death and Lamb
00:07:25.840 of God and Testament and everybody else?
00:07:27.680 >> Dude, we've thought about it just
00:07:30.000 because we're all like pretty into
00:07:32.000 coffee. We love like brewing stuff at
00:07:34.639 home and like you know trying every
00:07:36.639 every new coffee that comes out from our
00:07:38.880 favorite roasters. Like we're like close
00:07:40.639 to some of like roasters in Nashville.
00:07:42.720 Two of the guys work at coffee shops
00:07:44.880 essentially. We could have like a
00:07:47.680 collab. It could be cool. We do
00:07:50.560 >> we do just love drinking coffee. It's
00:07:52.880 [ __ ]
00:07:53.599 >> You guys get right down to the
00:07:54.720 nitty-gritty measuring the grams and all
00:07:56.960 that stuff. Yeah.
00:07:58.000 >> Oh yeah. Yeah.
00:07:58.879 >> Quite a science as I understand it.
00:08:00.639 >> Yeah. It's uh I like I mean growing up
00:08:03.520 coffee is just like oh cool like we'll
00:08:05.039 put I'll put like all the sugar, all the
00:08:07.440 creamer in and out. It's like oh just
00:08:09.120 like a like just a pourover is nice with
00:08:11.039 no milk, no sugar, no nothing. It's
00:08:12.800 good. But I also still like a cup of
00:08:15.919 coffee from Waffle House, you know, like
00:08:17.520 it's nothing like I can still drink the
00:08:19.599 the bad stuff, I guess, quote unquote.
00:08:21.520 >> You back up and and crank down a uh a
00:08:23.759 mug of Sanka every once in a just to
00:08:25.520 keep keep reference. get the Lo's gas
00:08:28.720 station coffee at 3:00 a.m. when we're
00:08:30.720 driving. It's all right.
00:08:32.640 >> With the last record, I I read that the
00:08:35.839 the band kind of felt with a Love to
00:08:38.159 Kill for that the band felt that the
00:08:39.679 previous stuff was a little too pretty
00:08:42.000 was what I came across and really leaned
00:08:45.680 hard into the chaos mode for that album.
00:08:48.560 Where does this is Goodbye sit on that
00:08:51.360 spectrum between Melody for you and the
00:08:54.320 rest of the band? Did you want to follow
00:08:56.320 that same trajectory for This Is
00:08:58.160 Goodbye?
00:08:58.800 >> Yeah, I think so. Like we still wanted
00:09:00.560 to be like just as chaotic and heavy,
00:09:04.160 but like I think to a point where it was
00:09:07.120 like like when we're writing in the
00:09:08.800 studio, we're like, "Holy crap." Like
00:09:10.640 everything we have so far is just
00:09:12.800 insane. So, we took it a step back on
00:09:16.080 some songs just to have a little break,
00:09:18.240 I feel, for the listeners.
00:09:19.920 >> Mhm. Um, but like there's still like
00:09:22.880 it's not like, oh, like this is like a
00:09:24.880 soft song, you know? Like it's just a
00:09:26.560 little less and a little bit more melody
00:09:28.959 than a little than just chaotic, you
00:09:31.600 know? But yeah, it was like I think
00:09:33.600 that's like when we were talking about
00:09:35.680 doing the new record, it was just like
00:09:37.600 let's just like this is who we are. Like
00:09:40.000 we're crazy, chaotic, and just like kind
00:09:42.959 of unhinged, you know?
00:09:44.880 >> Yeah. I you know that that leads me to
00:09:47.040 another question about you know genre
00:09:49.360 labeling and I've seen you guys listed
00:09:52.480 as well I think you guys sort of peg
00:09:55.120 yourself as chaos mosh metal
00:09:57.920 >> psychotic mosh metal.
00:09:59.040 >> Psychotic mosh metal. Yeah. And but I've
00:10:01.360 also seen the label of metal core and I
00:10:04.240 I I hate all these crazy genre labels
00:10:07.920 and all that. They drive me crazy. One
00:10:09.760 because there's so many I don't know
00:10:10.800 what the hell anything is. But I don't
00:10:12.480 know if I would peg you guys as a metal
00:10:14.720 core band. I think you are far far past
00:10:17.839 metal. What What does What do these
00:10:21.040 genre labels mean to you guys as a band?
00:10:23.920 Do you pay any attention to them?
00:10:25.600 >> I mean, not really. I think it's got to
00:10:28.079 a certain point that everything is like
00:10:32.079 there's just a big umbrella, you know,
00:10:33.760 like everything's just like there's
00:10:35.600 hardcore, there's punk, there's metal,
00:10:37.519 and then there's metal core, there's
00:10:39.040 death core. It's just a math core. Like
00:10:41.839 in a way to me like I don't know it's
00:10:44.959 just it's weird cuz like I don't really
00:10:47.600 know what we are either you know like I
00:10:49.440 I see people call us metal core math
00:10:51.360 core. It's just ah heavy heavy music.
00:10:55.279 >> Yeah.
00:10:55.680 >> You know like but I mean there's reasons
00:10:58.560 I guess that there's you know the genres
00:11:00.959 out there but like I don't know it's
00:11:03.680 like I wouldn't call like you know like
00:11:05.839 three days grace metal core but like
00:11:08.000 they're still like kind of a heavy band
00:11:09.920 you Sure. Yeah. Well, and I guess that's
00:11:12.399 why I ask because I think I I wonder if
00:11:14.720 bands feel pigeonholed in terms of how
00:11:17.839 they choose to write and the material
00:11:19.600 that they
00:11:20.880 >> that they share with us the listeners
00:11:23.360 because of labels that they are given by
00:11:26.240 the listening public or for that matter
00:11:28.320 record labels too because as you said I
00:11:30.959 know there's a reason for some of those
00:11:32.560 labels but I wonder what kind of impact
00:11:34.560 it has on you the artist.
00:11:36.640 >> Uh not I don't think too much. I don't
00:11:38.399 think a lot like I don't think people in
00:11:41.040 >> that are writing music are paying too
00:11:43.760 much attention to it, you know?
00:11:45.360 >> Yeah.
00:11:45.920 >> They're just writing music like we're
00:11:47.600 writing music because we just want to,
00:11:49.360 you know, like there's like in a world I
00:11:51.680 guess like we were like, "Oh, we're like
00:11:52.720 a metal core band, I guess." But like
00:11:55.760 >> we're just a heavy band, you know?
00:11:57.360 >> Yeah.
00:11:57.760 >> This is like this is who like whatever
00:11:59.920 you want to call us and we'll take it,
00:12:02.000 you know? Like
00:12:02.560 >> Yeah. Right on.
00:12:03.519 >> Talk a little bit about Nashville. Um,
00:12:05.920 you know, and and we all know what is
00:12:08.560 Nashville is known for. Uh, but what is
00:12:11.279 the metal scene like there? Cuz I I had
00:12:13.760 a bunch of people ask me like Nashville,
00:12:16.399 you know, really. So, we we don't know
00:12:19.360 anybody that's outside of Nashville
00:12:20.800 don't know what the metal scene is like
00:12:22.720 and just feel free to shout out some
00:12:24.320 bands that are in the area, too.
00:12:25.680 >> Yeah. Uh, dude, honestly, like I think
00:12:28.320 Nashville, like despite it being like,
00:12:31.279 you know, country, whatever of the
00:12:34.079 world, like people think of Nashville as
00:12:36.399 country, like I think a lot of people
00:12:38.079 look it over and like there is a lot of
00:12:40.000 like heavy bands and a lot of it's like
00:12:42.160 a lot of cool stuff going on in the
00:12:43.440 scene. Like I mean a a bigger band that
00:12:45.920 tours a lot, Orthodox, you know, um
00:12:48.720 they're from Nashville. So there's like
00:12:50.399 a lot of like smaller up and cominging
00:12:52.079 bands like uh Lethal Method Sick and
00:12:54.639 then there's a band called Officer Down.
00:12:56.639 They're really cool and like dude like I
00:12:58.800 feel like you can't go like a week
00:13:01.360 without like a show that isn't you know
00:13:04.399 the quote unquote like Nashville music
00:13:07.279 like that's like like that everyone
00:13:10.399 thinks of Nashville as like oh it's just
00:13:12.000 like country rock and roll. like there's
00:13:13.920 like every week that there's like a a
00:13:15.760 smaller like metal or hardcore or
00:13:17.839 whatever show like packed out like 200
00:13:20.160 300 kids. I think it's like thriving
00:13:24.000 now more so than ever. Even like when we
00:13:26.320 play here it's just like wow. Like last
00:13:27.760 time we played her I didn't like see
00:13:29.600 half of these people, you know, before
00:13:31.519 and now it's just like bunch of new
00:13:33.360 kids, a bunch of new bands starting and
00:13:35.200 they're all just, you know, and they're
00:13:36.800 all great, better than my first bands,
00:13:39.360 you know, like it's crazy. You've talked
00:13:41.360 a lot about how bands like the Acacia
00:13:43.680 Strain and Rotting Out gave you a sense
00:13:46.079 of community when you were coming up.
00:13:48.399 >> Uh now that you're on the same stages as
00:13:51.040 those bands and playing alongside them,
00:13:54.480 how does it feel seeing kids get that
00:13:56.959 same emotional release from your music
00:13:59.920 that you were getting from their bands
00:14:02.079 back in the day? honestly like pretty
00:14:05.360 unreal, you know, like even today like
00:14:07.360 looking at some of the comments and like
00:14:08.880 kids are like like comparing us to like
00:14:10.959 bands that like we looked up to and like
00:14:13.120 this is like you know album of the year
00:14:14.560 or whatever and I'm just like man like
00:14:16.320 it feels good but it's like kind of like
00:14:18.320 crazy you know like I never like first
00:14:20.480 of all like when we first started
00:14:21.680 touring like I never like thought we
00:14:24.160 like in general just get out as far as
00:14:27.040 we've done like you know we did multiple
00:14:29.279 like full US tours and like went to
00:14:31.440 Europe and like we've played made some
00:14:33.839 shows with our favorite band. So, it's
00:14:35.440 like it's pretty it's just crazy. And
00:14:38.560 now it's just like all right. Like in a
00:14:40.160 way, it's like very fulfilling because
00:14:42.000 it's like I've done like 15-year-old me.
00:14:44.880 It's like I've done everything I've
00:14:46.240 wanted to do musically, you know,
00:14:48.639 >> and now it's just now it's just continue
00:14:50.639 like what else can we do? And it always
00:14:53.040 surprises me, you know,
00:14:54.160 >> when you're saying standing side stage
00:14:56.959 at those shows you're playing with those
00:14:58.880 bands that you used to look up to. Do
00:15:01.040 you is that 15year-old still in there
00:15:03.040 watching them thinking, "Holy [ __ ] you
00:15:05.199 know, I just came off that stage."
00:15:06.959 That's rad.
00:15:07.760 >> Yeah. Yeah, for sure. Like it's like
00:15:09.440 even like becoming friends with some
00:15:11.279 people that like I like probably was on
00:15:13.360 like my favorite playlist on my like
00:15:17.120 the little iPod shuffle, you know? Like
00:15:19.760 that's just crazy to me. And it it's
00:15:22.079 just I mean but like then people ask
00:15:24.079 like how how did you like not become a
00:15:27.199 local band or not become you know like
00:15:29.920 just like a local artist and I'm just
00:15:31.600 like dude anyone can do it you know just
00:15:34.560 start start like we didn't like get some
00:15:37.680 kind of like oh you got the pass you
00:15:39.680 know like it was just like continued to
00:15:41.519 play like we've all been in bands before
00:15:43.839 like always toured whether it be like
00:15:45.839 played in front of like 10 kids or just
00:15:48.639 one like one of our dads or something,
00:15:51.199 you know? It's like just play music, go
00:15:53.440 on tour, like meet people, connect, and
00:15:55.920 like you could be doing it, you know,
00:15:57.839 like it's just
00:15:58.720 >> so the the formula is just do it, and
00:16:01.440 then keep doing it.
00:16:02.720 >> Doing it, keep doing it, and you know,
00:16:06.000 hopefully it works out. And if not, we
00:16:08.399 you had fun, you know, like I I've had
00:16:11.360 fun, you know, touring with some of my
00:16:13.279 best friends in the van, you know, for
00:16:15.519 what, eight years now. So, it's like
00:16:18.079 it's fun, you know, and just have fun
00:16:20.000 while doing it. That's all you can do.
00:16:21.759 >> While we're talking about touring and
00:16:24.079 going out with friends, um, you know,
00:16:26.240 who's your ultimate tour legend? Like,
00:16:27.759 living or dead? If you could play with
00:16:29.440 them, play a show with them, you had you
00:16:31.920 can die and go to heaven or hell or
00:16:33.920 wherever you want to go,
00:16:35.199 >> whatever you believe in,
00:16:36.959 >> man. Uh, honestly, like as a band, I
00:16:40.880 think like doing a show with Converge
00:16:44.000 would be really sick.
00:16:46.480 Um crap. Yeah, like Converge would be
00:16:50.399 like top for us or me personally. I mean
00:16:53.920 like everyone I I would love Gojira
00:16:57.519 probably.
00:16:59.839 >> Those two I'll keep it at that. Like th
00:17:01.920 like those are some of my favorite bands
00:17:05.119 doing it currently, you know. Um
00:17:07.439 >> what about Dead
00:17:08.400 >> Dead?
00:17:10.640 I mean, I
00:17:12.720 it it would never make sense in a in a
00:17:15.599 world, but like playing a show with Azie
00:17:18.240 Osborne would have been like insane.
00:17:20.240 Like he's a personal favorite.
00:17:23.119 >> Um like growing up that's like pretty
00:17:26.000 much all my mom listened to and my dad
00:17:28.480 as well. So like
00:17:29.600 >> ah parenting.
00:17:31.120 >> Yeah. But like it was always like the
00:17:33.679 ballad songs, you know, like it was
00:17:35.360 never like it was always the hits
00:17:37.679 >> from Azie like in the house. But then
00:17:39.919 like
00:17:40.960 >> branching out when you know whenever I
00:17:43.440 like could myself digging into his older
00:17:46.400 stuff like you're like holy crap like
00:17:48.480 this is
00:17:49.679 >> pretty insane music like you know. Uh
00:17:54.240 but yeah.
00:17:54.880 >> Did you do an ode to Azie when he
00:17:56.799 passed?
00:17:57.360 >> Uh nothing too crazy. I mean, probably
00:17:59.919 Shash Shared, like my favorite record by
00:18:02.000 him, uh, No More Tears. Like, that
00:18:04.000 record front to back is pretty insane. I
00:18:06.160 think I was actually I'm
00:18:08.960 I I don't know. I was either in Europe
00:18:11.760 or something like a week or so when he
00:18:14.720 passed cuz like there was a lot of like
00:18:16.400 memorabilia everywhere. Like I was I was
00:18:18.799 doing some like fest thing in Europe and
00:18:21.280 so like everywhere you go like you
00:18:22.720 couldn't see like a rest in peace Aussie
00:18:24.720 thing. So like it was pretty recently
00:18:26.400 after he passed. Um, changing gears a
00:18:29.280 little bit back to uh the new record.
00:18:31.280 The sample at the end of Angel uh that
00:18:36.000 was from a friend of Gabes uh his
00:18:39.520 funeral. Do I have that correct?
00:18:41.360 >> Um as a vocalist, how do you like
00:18:43.600 inhabit a song that carries that kind of
00:18:46.080 a you know a heavy real life artifact in
00:18:49.120 it? like when you I don't know how much
00:18:51.280 you've played that live yet, but when
00:18:53.280 when you're performing it, are do you
00:18:55.520 feel like you're carrying the weight of
00:18:57.039 of a memorial service or is it something
00:18:59.600 that you're able to like are you can you
00:19:01.600 compartmentalize that sentiment and just
00:19:03.919 deliver the goods now? Yeah, I think a
00:19:06.160 little bit of both, you know, like you
00:19:07.840 still feel the weight of that uh of all
00:19:10.559 the things that has happened, but then
00:19:12.400 like you just I feel like that's what
00:19:14.080 like putting it on record, you know,
00:19:15.760 like you're like this is it. And then
00:19:18.000 like when you're doing it live, it's
00:19:19.440 just like
00:19:20.320 >> when when I'm performing live, like
00:19:22.000 everything just shuts off kind of like I
00:19:24.160 like you could
00:19:24.960 >> you could ask me how the show went like
00:19:26.880 two minutes after I get off stage up. I
00:19:28.880 just it just shuts off. Like I had no
00:19:30.559 idea. Like so like it's just kind of
00:19:32.080 like you just kind of deliver live but
00:19:34.080 like you still feel some way like I mean
00:19:36.960 I think on previous records we kind of
00:19:38.559 had like similar samples where they're
00:19:40.480 like kind of like real and true to heart
00:19:42.960 but like it's just like it's kind of
00:19:45.120 like an ode in a way like you're just
00:19:47.280 like I've had this sitting here for like
00:19:49.280 you know voice memos or whatever for
00:19:50.960 such a long time like let's just sneak
00:19:53.120 it sneak it into like a ambient part on
00:19:55.360 the record and like no one really knows
00:19:56.880 what's going on but if they find out
00:19:58.960 cool you know. Yeah, on that same front,
00:20:02.480 great samples on this record. I love
00:20:05.039 them. They all just fit really well.
00:20:07.440 >> I think my favorite is like at the end
00:20:09.440 of the record after the final track.
00:20:11.360 It's just like a the pretty piano with
00:20:13.520 like the weird voice speaking. It's so
00:20:16.240 crazy.
00:20:16.880 >> Yeah.
00:20:17.280 >> I think that was a Randy.
00:20:19.520 >> No. What are you most proud of on on
00:20:21.280 this record? What is it that you when
00:20:22.960 you heard it complete, you just got
00:20:25.520 tingles,
00:20:26.320 >> man? I think really just the whole
00:20:29.360 record and the flow of the record cuz
00:20:31.919 like there's certain songs where like
00:20:35.280 you know like we kind of like put the
00:20:36.880 record out pretty fast and which I'm
00:20:38.799 kind of like pumped on cuz like I hate
00:20:41.360 sitting on like oh here's four singles
00:20:43.760 from the record like and then here's the
00:20:45.679 record like you already heard half of it
00:20:47.520 you know like so I think like doing the
00:20:49.360 two singles and then putting out you
00:20:51.360 know the full record and as like as
00:20:53.840 we're doing in the studio like we're
00:20:55.200 thinking of like transition itions and
00:20:56.799 like flow of the record. Like I feel
00:20:58.240 like that's how it should be listened
00:20:59.600 to, you know, like in a way all at once
00:21:01.840 like on a drive, whatever, whatever,
00:21:04.559 like on the treadmill at the gym or
00:21:06.559 lifting the heaviest weight you can,
00:21:08.159 whatever, you know, just all at once.
00:21:10.400 But yeah, just the the last song on the
00:21:12.559 record just kind of ties the whole
00:21:14.159 record together and then like ends just
00:21:17.360 like pretty big like kind of melodic
00:21:20.880 part and just like ends kind of abruptly
00:21:24.000 like after like the first listen for me
00:21:25.840 I'm like damn that's it like that's it
00:21:29.200 like it's crazy and awesome and then
00:21:31.520 boom they hit you with this crazy ending
00:21:33.760 and then it's like all right like it's
00:21:35.280 like a lot of emotions flowing there I
00:21:37.360 feel like you know
00:21:38.720 >> what is the um metal community mean to
00:21:41.520 you? And and I asked that because we
00:21:44.240 live in a a very kind of toxic divided
00:21:46.799 world and the one consistency I've seen
00:21:48.640 in my life is that the metal community
00:21:51.679 is always very accepting and you go to a
00:21:53.919 show and it's fun and you feel accepted
00:21:56.000 no matter who you are. But I'm just
00:21:57.679 curious what your perception is of it.
00:21:59.360 Yeah, I mean 100% like it's very
00:22:02.720 accepting just like I mean luckily
00:22:05.200 enough like this mu like playing music
00:22:09.280 like doing anything involved in music is
00:22:11.679 kind of like my life right now and like
00:22:13.840 that's all I ever like wanted and like
00:22:15.919 so it's like very accepting and just
00:22:18.159 like it it it's something that like I
00:22:20.559 found
00:22:22.320 >> very like at a young age and it's always
00:22:24.480 been super positive like whether like
00:22:26.640 going to shows like finding friends. Um,
00:22:29.760 it becoming like kind of a job, you
00:22:31.919 know, like it's just I don't know. It's
00:22:34.320 the things in this community are very
00:22:36.799 endless, you know, like like all my
00:22:39.039 friends that I've found growing up and
00:22:41.840 like we think the same like we like the
00:22:44.559 same stuff is all been through metal and
00:22:47.120 hardcore and punk, metal core, whatever
00:22:49.679 you want to call it. And it's like this
00:22:51.600 is great, man. Like there's nothing else
00:22:54.400 like if I could rewind and do it all
00:22:56.320 over again there pro I'd probably be the
00:22:58.559 same person I am today you know like
00:23:00.400 there's nothing else I would want to
00:23:01.760 change and it's it's awesome just cuz
00:23:04.240 you know music.
00:23:05.440 >> Yeah. You guys are known for having a a
00:23:08.080 pretty volatile and we'll call it
00:23:11.120 active. I've read the term violent live
00:23:13.440 shows but I don't I I don't think that's
00:23:15.600 probably an accurate term. But would you
00:23:18.159 say that uh I mean our experience with
00:23:20.320 metal shows and we've got we I think
00:23:21.840 Derrick and I probably have a couple of
00:23:23.200 years on you but our experience is in
00:23:25.360 the gnarliest pit at the craziest show
00:23:28.400 if you get floored by somebody there's
00:23:30.799 10 hands that immediately stick out and
00:23:32.960 pick you up which is one of the things
00:23:35.039 that I think we both love about the
00:23:37.600 metal community so much. Um pretty safe
00:23:40.799 to say that that your fans are are all
00:23:43.360 those hands are going right down to the
00:23:44.720 floor if somebody goes down too. Yeah, I
00:23:46.799 would say so. Pretty much like it really
00:23:49.840 it could go tour to tour, you know, like
00:23:51.840 if we're doing like a quote unquote
00:23:53.679 bigger metal hardcore whatever tour.
00:23:56.320 Like there's some fans that are like,
00:23:57.760 "Oh, like I hate the karate mosh pit.
00:24:00.000 Like just do whatever." But like in a
00:24:02.960 way it's like just everybody have fun,
00:24:05.280 take care of each other, like don't like
00:24:08.159 do anything you shouldn't be doing, but
00:24:10.400 like you know, still have fun. you know,
00:24:12.080 yeah, there's no rules, but a little bit
00:24:13.679 of rules, you know, like
00:24:15.279 >> just take care of each other, like have
00:24:17.120 a good time because like in in reality,
00:24:19.120 everyone has their own [ __ ] going on
00:24:21.679 outside of, you know, the world. As soon
00:24:24.320 as we're like in this room together,
00:24:25.840 like just just have fun, let loose.
00:24:28.320 Like, yeah, do whatever do whatever you
00:24:30.240 like to do, but take care of each other.
00:24:32.640 >> Yeah. You guys got a big tour coming up
00:24:34.640 starting in what, three, four days now
00:24:36.960 in Detroit, right?
00:24:38.400 >> Yeah, Detroit. It starts on the 31st.
00:24:42.400 Um, yeah, with Guild Trick and
00:24:43.840 Malevolence. It's gonna be pretty pretty
00:24:45.679 awesome.
00:24:46.240 >> Malevolence, one of my current
00:24:48.000 favorites, man. They uh their album was
00:24:50.320 right at the top of my album of the year
00:24:52.080 list. I was pumped when I saw you guys
00:24:54.159 were going out with them.
00:24:55.200 >> Yeah, listen to them quite a bit and
00:24:56.799 it's it's sweet. I'm excited to like see
00:24:58.799 it live. I've I've seen like the the
00:25:01.039 videos on YouTube and stuff, but like
00:25:02.960 feel like there's nothing better than
00:25:04.640 just seeing a live band. Yeah.
00:25:06.080 >> Yeah. You're starting you're starting
00:25:07.440 this tour at one of my I call it my home
00:25:09.440 venue. I'm a Michigan boy and uh St.
00:25:11.679 Andrews Hall is an amazing place. The
00:25:13.520 shelter is a great venues. I'm I'm
00:25:15.279 jealous that I won't be there to see
00:25:16.640 that.
00:25:17.120 >> Yeah, we played there a handful of
00:25:19.360 times. I think we've done downstairs
00:25:21.440 with the Acacia Strain. Uh I think we
00:25:24.640 did it with Counterparts and we played
00:25:26.559 upstairs with Alpha Wolf, which
00:25:28.720 >> was like, God, Alpha Wolf, what a band.
00:25:30.400 Yeah. Yeah. We played upstairs with them
00:25:32.159 and it was like I would say like top 20
00:25:34.480 shows for us. Not top 10, but like it
00:25:36.720 was crazy.
00:25:37.600 >> That's rad.
00:25:38.640 >> Yeah.
00:25:39.039 >> How do you know when a show is going to
00:25:40.480 be a top 10? Can you feel the energy as
00:25:42.720 soon as you come out?
00:25:43.679 >> Uh
00:25:45.600 honestly, it's so hard to like tell.
00:25:47.600 Like you can never tell really because
00:25:50.080 like it's just like like the crowd can
00:25:52.240 be there but then like you're just like,
00:25:53.760 "Oh, that was cool." And then like you
00:25:55.760 could play like it's weird because like
00:25:57.360 you could play to 800 to 900 people and
00:25:59.360 feel like it was like the worst show you
00:26:01.120 ever played, you know? And then like you
00:26:02.880 could play to like a hundred kids and
00:26:04.960 they're all just going insane and you're
00:26:06.880 like, "Wow, that's like that's all I
00:26:09.120 ever wanted, you know? Like it's really
00:26:11.840 hard to tell. Like and then like some
00:26:13.520 shows are like a not going to be good."
00:26:14.960 And it turns out to be like awesome, you
00:26:16.799 know?
00:26:17.120 >> Yeah. You Well, you guys have have
00:26:19.120 played live enough to have a a wide
00:26:21.039 enough frame of reference. What
00:26:23.039 constitutes a terrible night for you?
00:26:25.600 >> Oh man, honestly,
00:26:28.400 just I don't know really. I mean, this
00:26:31.279 is all every time we get to play, I'm
00:26:33.200 just like, "Oh, that was fun." Like, I
00:26:35.120 don't I don't really, you know, like I'm
00:26:36.720 glad to be here, you know, but like
00:26:40.159 >> I feel like there's no bad show. I mean,
00:26:42.400 there is. I mean like tech is it is it a
00:26:45.039 tech cuz surely there are yeah there are
00:26:48.000 some nights when you walk off and you
00:26:49.600 know you just [ __ ] killed it and
00:26:51.760 other nights where you walk off and go
00:26:53.360 yeah that was okay. Is it is it tech
00:26:55.679 issues or you know somebody has you know
00:26:59.200 something bad happened in in their life
00:27:01.600 and it affects the the overall
00:27:03.840 performance.
00:27:04.640 >> Probably just like tech issues like
00:27:07.279 maybe a bad sound guy that day and how
00:27:10.159 >> [ __ ] sound man
00:27:13.200 uh bad sound guy. There was a little bit
00:27:16.000 of feedback on the mic, you know, like
00:27:18.559 something just goofy like that or like,
00:27:21.279 you know, you like it could be a sick
00:27:23.360 set or and like you can just get off
00:27:25.039 stage and be like, "Wow, I like I
00:27:26.559 accidentally missed that vocal line. I
00:27:28.000 feel like shit." You know, like [ __ ]
00:27:29.840 >> Yeah.
00:27:30.720 >> Um but yeah, I mean most most of the
00:27:32.559 time like I feel like the first like
00:27:35.120 week you're kind of like getting clocked
00:27:37.039 in like you're doing it like you
00:27:39.039 practice but like it's still like you're
00:27:41.039 doing the shows, you Like it's not like
00:27:43.279 rehearsing is not like a show in my
00:27:45.679 opinion. Like it's just like you're
00:27:47.279 practicing but like the first like four
00:27:49.520 or five shows of a tour like you're just
00:27:51.440 like we're clocking back in. Like we're
00:27:53.200 getting locked in. We're getting dialed
00:27:54.640 and then like weeks after it's like oh
00:27:56.880 like this is it. Like we're we're locked
00:27:59.039 in, you know? Like
00:27:59.919 >> that's awesome. I have a dumb question.
00:28:01.600 Is are those tulips behind you? Behind
00:28:03.760 you?
00:28:04.240 >> Yeah.
00:28:04.720 >> Yeah, I think so.
00:28:07.679 >> It's very metal of you. We're talking
00:28:09.600 coffee. You've got a horse on your hat
00:28:11.360 and uh and tulips.
00:28:13.200 >> Oh yeah. Uh I'm at our guitar player's
00:28:15.919 house, so we're He's just got all kinds
00:28:18.559 of nice stuff going on in here.
00:28:20.559 >> I mean, it's very classy of you, you
00:28:22.080 know. I was Yeah. I was expecting you to
00:28:24.240 be coming in from a butcher shop or
00:28:25.919 something, you know, check it in from
00:28:27.360 there.
00:28:29.360 >> You uh uh I read somewhere you used to
00:28:32.240 uh like a lot of a lot of us, you had
00:28:34.480 normal regular jobs, and one of those
00:28:36.960 was at a restaurant, right?
00:28:39.279 Um, now that the bulk of your time is
00:28:42.240 being spent creating music, God bless
00:28:44.080 you for that. Um, when you when you're
00:28:46.720 live, when you're on stage, do you still
00:28:49.120 carry some of that like service job
00:28:51.440 mentality in terms of I'm here to
00:28:54.559 provide something to the to the people
00:28:56.640 that came to see us. Does that some of
00:28:58.799 that like I want to provide a good
00:29:00.480 experience for these people. Does that
00:29:02.320 is that the forefront of your mind or
00:29:04.720 are you at the point? Yeah. I mean, I
00:29:06.399 would assume you probably always there,
00:29:09.120 you know, nobody wants to get on stage
00:29:10.559 and go like, "Ah, [ __ ] it." You know,
00:29:11.840 I'm not worried about it tonight. But,
00:29:13.600 >> yeah.
00:29:14.000 >> How how much of that is conscious for
00:29:15.600 you anymore versus maybe when you guys
00:29:17.919 were just ramping up and rolling?
00:29:20.080 >> Um, I think it's like always there, you
00:29:21.919 know, like I feel like everyone that
00:29:23.760 works like a service job always kind of
00:29:26.399 carries that with him no matter what.
00:29:29.279 >> Just because like it's it's it's like a
00:29:31.039 thing. like it's just it's not like it's
00:29:33.760 just something that like it's you you
00:29:36.480 you kind of like learn, you know, how to
00:29:38.240 be good at and then you just kind of
00:29:40.320 take it. Um but yeah, like I mean I
00:29:43.279 always want to give the best I can like
00:29:45.440 whether you know the show's not as good
00:29:47.279 as you thought it would be, but like
00:29:48.480 you're still going to give it your all
00:29:49.760 cuz like people are there to see you,
00:29:51.200 people are there to you know enjoy your
00:29:52.960 set and like you want to give it your
00:29:54.720 100% no matter what. And then even when
00:29:56.559 it comes down to like you know venue
00:29:58.559 staff and like you know the bartenders
00:30:00.799 or whoever's taking care of us like for
00:30:02.960 green room stuff or anything like that
00:30:04.640 just like be as nice as possible because
00:30:06.480 like you know like you know like even in
00:30:08.080 like the service industry when you're
00:30:09.919 working like you never know like what
00:30:11.440 people are going through when they sit
00:30:13.120 down to come in and eat like
00:30:14.720 >> just like be as nice as you can and
00:30:16.559 that's like something I always like
00:30:18.000 carry with me like treat treat people
00:30:20.000 like that how you want to be treated
00:30:21.760 even like at the merch table and stuff
00:30:23.200 like
00:30:23.840 >> some people can get out of hand and
00:30:25.360 you're like, "All right, all right,
00:30:26.880 relax." But like, you know, just be be
00:30:28.880 nice cuz, you know, everyone's like a
00:30:30.320 little excited to be there and uh yeah,
00:30:32.799 just treat everyone how you would like
00:30:34.240 to be treated, you know?
00:30:35.279 >> Yeah. It's rad as a as a concert goer.
00:30:38.080 It's awesome that you and other bands,
00:30:40.399 we've talked to some other folks who who
00:30:42.480 do the exact same thing you do. They go
00:30:44.000 out and work work the merch table
00:30:45.600 afterwards. It is, it's fantastic as a
00:30:48.480 fan to get to go out and, you know, have
00:30:51.360 a chat with, you know, your idol or
00:30:54.320 somebody who you just really respect or
00:30:56.240 enjoy their stuff. So, uh, no question
00:30:58.880 there. Just appreciate that you are
00:31:01.200 willing to go out and do that,
00:31:02.640 especially when especially as a
00:31:04.480 vocalist, the last thing you want to do
00:31:06.399 is go out there and have to talk over
00:31:08.080 the noise when you need to protect that
00:31:10.240 instrument. So, we thank you for that.
00:31:12.559 >> For sure. For sure. It's always like
00:31:14.320 it's just been what we've done like for
00:31:16.960 a long time and like
00:31:19.600 if we got like bigger and like things
00:31:21.679 started getting you know crazy maybe
00:31:24.159 eventually we'd be like all right like
00:31:25.440 we could hire someone but like at this
00:31:27.840 point in our career I feel like everyone
00:31:30.240 can take a little bit of turns and you
00:31:31.919 know sell some t-shirts talk to talk to
00:31:34.320 people that enjoy our music and you know
00:31:36.640 connect and uh I think that's the cool
00:31:38.720 thing about like you know metal and in
00:31:40.960 hardcore and stuff like most times
00:31:42.799 growing up like
00:31:45.440 even if like they weren't selling their
00:31:47.039 own merch like they had like their their
00:31:49.279 best friend growing up selling their
00:31:50.720 merch and like the vocalist would be
00:31:52.080 there just hanging out you know like
00:31:53.760 >> this is this is something that you don't
00:31:55.600 see I feel like in other genres as much
00:31:58.559 and uh
00:31:59.919 >> you don't get to connect as much you
00:32:01.600 know like
00:32:03.120 >> and like even like back to like the good
00:32:05.360 show bad show I would say what makes the
00:32:08.080 best show is no barricade just cuz like
00:32:10.320 you're on the same level you're just up
00:32:13.279 there just hanging out. Even like well
00:32:15.360 if the stage is too big it's kind of
00:32:17.519 weird but then like if you're just like
00:32:19.200 you're like up front and everyone's face
00:32:21.279 like I feel like that that could make
00:32:22.880 the best show over like
00:32:25.120 >> 2000 cap with like the craziest setup
00:32:28.000 you ever seen you know like
00:32:29.600 >> would you prefer to and you're you guys
00:32:32.080 are fast approaching the point where
00:32:33.519 you're not going to be able to do this
00:32:36.080 but it sounds like you still appreciate
00:32:38.799 the opportunity to play a floor level
00:32:40.640 show.
00:32:41.360 >> Oh yeah. where you're literally right
00:32:43.039 there with the people.
00:32:44.240 >> Yeah. Yeah. When when it's like we we
00:32:47.039 did like a a headliner like a twoe
00:32:50.480 headliner like last year I think and
00:32:52.799 like when it came down to booking those
00:32:54.159 shows I was like I want the smallest
00:32:56.080 rooms possible like and just have fun.
00:32:59.200 Like I don't I don't care about the big
00:33:01.120 money like whatever you can get us like
00:33:03.120 just book us a good show and everybody
00:33:06.320 have fun. And then like some of those
00:33:07.760 rooms are like 200 cap floor show, you
00:33:09.919 know, and like it's it's fun. Like this
00:33:11.840 the stages are cool because like then
00:33:13.440 you can have like stage divers and stuff
00:33:15.120 like that. But then like there's nothing
00:33:16.960 cooler like just playing like everyone
00:33:20.559 growing growing up like it was always
00:33:22.480 like DIY shows, you know? Like I
00:33:24.399 remember like throwing me and my friend
00:33:26.399 his mom had a garage and we would like
00:33:28.080 throw shows in his garage like whether
00:33:29.600 it be local bands or like traveling
00:33:31.919 bands and like it just like that's what
00:33:33.840 I grew up doing. So, it's like pretty
00:33:35.919 cool to still do. Like I we played
00:33:38.399 Jacksonville, Florida in like a
00:33:40.080 restaurant before and it was just like
00:33:42.080 insane. Like some of the some crazy
00:33:44.240 stuff going on. So, those those are
00:33:46.320 pretty fun.
00:33:47.039 >> That's cool.
00:33:47.760 >> Well, I know that my 12-year-old is
00:33:49.679 excited and is hoping that you get to
00:33:52.320 New England at some point and uh I know
00:33:54.799 that John would love it if you made it
00:33:56.240 down to Florida and he'll come out and
00:33:57.600 say hi. Yes.
00:33:58.640 >> Um, is there anything else beyond the
00:34:00.720 tour that you have that you can announce
00:34:02.320 right now or is is there plans to to do
00:34:05.279 more dates?
00:34:06.159 >> Uh, there like we definitely have some
00:34:08.960 stuff um being worked on. Uh, nothing
00:34:12.800 like set in stone yet. I mean, we
00:34:14.800 definitely want to, you know, do as much
00:34:16.719 like I feel like in the past like we
00:34:18.320 haven't done as much off records as we
00:34:20.320 should have. Whether it be like, you
00:34:22.639 know, we were we're kind of busy doing
00:34:24.480 live or, you know, like nothing was
00:34:27.599 really happening or just like I don't
00:34:29.520 know. But like with this record, we want
00:34:31.199 to do as much as possible. And uh, you
00:34:33.359 know, we have the tour coming up in a
00:34:35.599 couple days. And I I think we want to
00:34:37.839 try to make it to Europe, whether it be,
00:34:40.719 you know, this year, early next year.
00:34:42.960 And we definitely want to do more stuff
00:34:44.320 in the States, whether it be soon or
00:34:47.280 like at the end of the year. We
00:34:48.399 definitely want to just keep busy. Um
00:34:50.239 maybe do some like weekender stuff
00:34:51.839 oursel, you know, and if nothing comes
00:34:54.159 down, like if nothing like big support
00:34:56.399 tour happens, then we'll just be like,
00:34:57.920 "Fuck it. Let's do a headliner, you
00:34:59.440 know, like got to stay out there and do
00:35:01.680 stuff."
00:35:02.160 >> That's rad. What do you do when you're
00:35:04.079 not working in the musical arena? What
00:35:07.040 are you doing in your downtime when you
00:35:08.640 just need to shut your brain off? Are
00:35:10.560 you watching, you know, bad reality TV
00:35:13.359 or playing Candy Crush? What are you
00:35:15.200 doing?
00:35:16.000 uh mix of playing video games uh and
00:35:19.920 watching bad reality TV with okay
00:35:22.640 >> my partner uh we just watched uh that
00:35:25.839 traitor show. It's really it's bad but
00:35:29.040 it's funny. Like
00:35:30.640 >> I I I found good I found like it's bad
00:35:34.720 but also good. And like the secondhand
00:35:37.040 embarrassment you get from that stuff is
00:35:38.880 like pretty insane. But yeah, like I
00:35:41.599 play video games a lot. um try to keep
00:35:44.480 busy going to the gym as much as I can
00:35:47.119 and uh you know staying active cuz like
00:35:50.480 you know when when you're on tour it's
00:35:53.520 like a lot of work but it's still it's
00:35:55.839 like a lot of people are like it's it's
00:35:57.599 like it's tour you know like you're
00:35:59.119 playing music it's fun it's still work
00:36:01.040 >> it's work yeah
00:36:01.680 >> and it's and it's long days and so when
00:36:03.839 I get home it's like I can decompress
00:36:06.560 and like even like the last like three
00:36:08.800 or four days like my body was being like
00:36:11.839 oh you're going on tour cuz I wasn't
00:36:13.440 waking up early and like it was getting
00:36:16.160 ready for my late my early mornings,
00:36:18.320 late drives, like it was just getting
00:36:20.000 ready.
00:36:20.560 >> Yeah. Oh, that's wild. Derek, you got
00:36:22.560 anything else uh before we get to
00:36:24.240 quickies?
00:36:24.960 >> No, I know you like your quickies, but I
00:36:26.720 will say this to you, Jacob. I hope for
00:36:29.119 you and I I have no doubt that this is
00:36:31.040 going to happen. Um, you know, there I
00:36:33.440 hope you have the career path that
00:36:34.720 Converg has had, and I think based on
00:36:36.960 this record, this is going to be a
00:36:38.400 catapult forward for you. And man, it's
00:36:41.040 a great one. and uh and I can't wait to
00:36:43.119 see it live.
00:36:43.839 >> Thank you, man. Thank you guys so much.
00:36:45.520 >> Well, for those who uh don't have an
00:36:47.359 opportunity to get out and see you live,
00:36:49.280 where can they pick up merch?
00:36:50.880 >> Um we have a web store with PureNoise
00:36:53.280 right now that is selling the record and
00:36:55.680 selling some merch. So, this is like
00:36:57.599 chamber615.com
00:36:59.520 and you can pick up the records, CDs.
00:37:01.520 There's a couple designs on there, I
00:37:03.119 think. And like we'll always do like the
00:37:05.040 tour leftovers if we have any. We'll
00:37:06.960 throw them up on like a on our stories
00:37:08.800 and sell them. Um, I think that's
00:37:11.119 another thing we're going to try to be
00:37:12.560 like more more into doing like some
00:37:14.960 merch drops and stuff. Usually like we
00:37:16.720 like to keep it just like here's a few
00:37:18.800 items and then everything else you can
00:37:21.119 only buy on tour cuz like I I like the
00:37:23.359 exclusiveness of that, you know. Um, but
00:37:26.560 people like merch so maybe we'll do like
00:37:28.640 an online store some sometime in the
00:37:30.880 future.
00:37:31.359 >> Yeah. Well, I don't think a lot of
00:37:32.560 people understand the cost for merch
00:37:36.320 too. It is really expensive. It's not
00:37:39.680 like, you know, that and that's why you
00:37:42.240 go to a show and you go to buy a t-shirt
00:37:43.839 or a sweatshirt and it's 40, 50, 60
00:37:46.079 bucks. It costs a lot of money to get
00:37:48.240 those things produced. So,
00:37:50.000 >> it's awesome that you guys are, you
00:37:51.440 know, doing cool stuff with it,
00:37:52.800 >> right? It's very it's it's how you make
00:37:55.599 the money on tour, but like it's also
00:37:57.760 how you spend money. Like you got to pay
00:37:59.760 the graphic artist, you got to print it,
00:38:01.680 you got to you know, it's it's uh I
00:38:03.920 don't know. It's But we we try to keep
00:38:05.599 the cost like pretty low. like when you
00:38:07.839 get on the like bigger size of things
00:38:10.000 like it's hard because then you got like
00:38:11.359 the merch cuts and the venues taking
00:38:13.520 money and stuff like that. But like as
00:38:15.839 long as there's none of that, we'll try
00:38:18.079 to keep it as affordable as possible
00:38:20.079 just cuz like I mean first of all like
00:38:21.680 you're already coming to the show
00:38:23.680 >> that that means the world to like any
00:38:25.280 band, you know, like showing up is like
00:38:26.960 the main part, you know, but if anyone
00:38:29.280 decides to support and buy a t-shirt,
00:38:31.359 like you try we'll try to keep it as low
00:38:33.440 as possible.
00:38:34.079 >> Awesome. Well, this last section is what
00:38:36.880 we call quickies. They are this or that
00:38:39.440 questions. You can keep your answers as
00:38:41.599 short as you want or expound, whatever
00:38:44.480 you like. We're going to try and not tax
00:38:46.720 you too hard, but uh
00:38:48.720 >> so here we go. Uh live music or studio
00:38:51.760 recordings as far as as a listener.
00:38:54.079 Live.
00:38:54.880 >> Live music 100%.
00:38:56.800 >> All right. Uh a cabin in the woods or a
00:38:59.440 penthouse in the city?
00:39:00.640 >> Cabin in the woods for sure.
00:39:02.240 >> Okay. Uh, cook at home or order in
00:39:05.119 delivery?
00:39:05.760 >> I like to cook. Cooking is nice,
00:39:07.680 especially like
00:39:09.920 >> nothing too special. I I just stick to
00:39:12.400 chicken and rice or ground beef and
00:39:14.560 rice, but I like to just have it, you
00:39:16.880 know, at home. I mean, I do like to eat
00:39:18.480 out like certain things like before I
00:39:21.599 leave for tour. I'm like, I need this
00:39:23.200 before I leave because I'm not going to
00:39:24.560 have it for a month. Most of the time
00:39:26.320 I'm just like eat like every morning
00:39:28.160 just cooked breakfast and then you know
00:39:31.040 have the same same variations of the two
00:39:34.000 meals. Chicken and rice, vegetables,
00:39:36.640 beef and rice vegetables.
00:39:38.160 >> You're way more sophisticated than John.
00:39:40.160 He eats jelly beans, milk, and smoked
00:39:42.160 cigarettes. That's about it.
00:39:43.520 >> Oh, and country time. Still waiting to
00:39:46.079 hear back from you guys, too.
00:39:48.320 >> Uh, all right. Um, fiction or
00:39:50.480 non-fiction?
00:39:53.200 >> Crap. Non-fiction. Non-fiction.
00:39:55.200 Non-fiction. Okay. Hot or cold?
00:39:56.960 >> Uh, cold all the way. I hate being hot.
00:39:59.680 >> All right. Uh, would you rather visit
00:40:01.280 the past or see the future?
00:40:03.119 >> Uh, see the future for sure.
00:40:05.599 >> Okay. Uh, would you rather be the first
00:40:07.839 person on a new planet or the last
00:40:10.000 person on Earth?
00:40:11.040 >> First person, I think. I don't know. I I
00:40:14.320 I have there's like a fear of being
00:40:16.480 alone. I think, you know, like that
00:40:18.480 would kind of be scary, but then I guess
00:40:20.400 you're alone on both of
00:40:22.079 >> either either case. You're by yourself.
00:40:23.680 Yeah.
00:40:24.000 >> Yeah. both of them suck.
00:40:26.240 >> But I I like if I'm the first person,
00:40:28.720 it's kind of nice cuz you're like
00:40:30.160 hopeful there's people coming after, but
00:40:33.119 if you're the last person, you know,
00:40:34.880 there's no more people. So,
00:40:37.440 >> all right. Uh the smell of old paper or
00:40:41.119 the smell of rain on hot pavement.
00:40:43.520 >> I think probably rain on the hot
00:40:45.920 pavement. I don't think it smells too
00:40:47.520 bad, but I don't really know what old
00:40:48.960 paper smells.
00:40:49.920 >> Yeah. Think of like an old book like in
00:40:51.760 an antique store or something. That kind
00:40:53.599 of dusty smell.
00:40:55.520 >> Yeah. All the antique stores have that
00:40:57.440 smell that I don't really like going
00:40:58.880 into. So,
00:41:00.319 >> yeah. Yeah. Let's just stick with the
00:41:01.920 rain.
00:41:02.560 >> All right. Cool. Cool. Uh, the echo or
00:41:05.520 the silence that precedes the echo?
00:41:08.720 >> Definitely the echo.
00:41:09.839 >> Nice. And uh, last one. Fate or chaos?
00:41:13.200 >> Crap. Let's just go chaos just because
00:41:16.480 >> it's fitting.
00:41:17.440 >> Yeah, it's fitting. It's fitting. It's
00:41:19.359 fitting though, and I said this when we
00:41:21.280 reviewed uh the album, Your Chaos is
00:41:24.800 highly refined chaos, which I think is
00:41:27.839 fantastic. And I think that's one of the
00:41:29.599 reasons that this record is, you know, I
00:41:32.480 don't it's kind of an achievement. you
00:41:34.640 know, you guys have taken this style and
00:41:37.040 and you continue to develop this style
00:41:40.560 >> and I think for some folks it's it's
00:41:43.359 probably a little too much, but my god
00:41:45.599 man, there is like the madness that is
00:41:48.319 this album is anchored very very well
00:41:51.359 and the mix on it. Who mixed it by the
00:41:53.280 way?
00:41:53.599 >> Randy.
00:41:54.319 >> Randy mixed it too.
00:41:55.520 >> Yeah. phenomenal job in keeping
00:41:58.880 something so wild and hairy so pulled
00:42:02.160 together and tight and centered and
00:42:03.920 anchored.
00:42:04.880 >> Um, and you get a lot of respect for for
00:42:08.720 that because it is a phenomenal piece of
00:42:11.359 work.
00:42:11.920 >> And I will say this, I've seen Converge
00:42:13.599 a million times. I lived in Boston for
00:42:15.520 17 years and they're always, you know,
00:42:17.680 out and about there. Um, and this record
00:42:20.880 to me just it was on par if not beyond
00:42:24.000 what Converge has done because of the
00:42:26.000 fact that it's so clean and accessible.
00:42:27.920 You can hear everything going on and
00:42:30.640 it's great. It's fantastic to just to
00:42:33.200 echo what what what John said. So,
00:42:35.760 >> um, you know, sky's the limit. I can't
00:42:37.599 wait to see you guys ascend.
00:42:38.960 >> Thank you guys so much for real.
00:42:40.480 >> Absolutely. Well, listen, man, you have
00:42:41.839 been very generous with your time. We
00:42:43.280 know you need to sleep because you're
00:42:44.800 going to be a very busy guy here in just
00:42:47.119 a couple of days. So, we appreciate you
00:42:49.119 coming and hanging out with us for a
00:42:50.319 bit.
00:42:50.560 >> Yeah.
00:42:50.800 >> Thank you guys for having me, man. I
00:42:52.079 appreciate it.
00:42:52.800 >> Awesome. Thank you so much.
00:42:54.079 >> Thank you.

Jacob Lilly Profile Photo

Singer

Jacob Lilly is the lead vocalist and frontman for the Nashville-based metallic hardcore band Chamber. Since joining the group in 2018, Lilly has become the central voice of their "psychotic mosh metal" sound, characterized by a technical, chaotic, and relentlessly aggressive delivery that has helped define the modern "Nashville Hardcore" (NCHC) scene.

Lilly is known for his high-energy, visceral performances and a vocal style that balances rhythmic barking with raw, emotional screams. His lyrics often explore heavy themes of mental health, isolation, and personal catharsis, serving as the emotional core for the band's complex, dissonant compositions.

Key Contributions & Recent Work
this is goodbye… (2026): Lilly provided the searing vocal performance for Chamber’s latest full-length album, released in March 2026. The record—produced by longtime collaborator Randy LeBoeuf—has been hailed as a landmark in the genre, featuring singles like "violins" and a notable guest appearance by Vincent Bennett of The Acacia Strain.

Discography & Growth: Since his debut with the band, Lilly has been the focal point of their most influential releases on Pure Noise Records:

this is goodbye… (2026)

A Love To Kill For (2023)

Cost of Living (2023)

Sigils of Power (2020)

Touring Force: A staple of the DIY and national hardcore circuits, Lilly’s stage presence is a driving force behind the band's reputation as a "must-see" live act, having toured alongside industry tita…Read More