June 9, 2026

Stefan Sorenson - Persecutor - Interview

Most heavy metal bands try to reinvent the wheel — these guys just crush it with old-school thrash that hits like a freight train. Denmark’s Persecutor is redefining the genre, blending fierce nostalgia with modern aggression on their recent album Casualties Of Violence, a 31-minute album packed with relentless riffs and raw energy. Stefan Sorensen, riff meister and long-time member, takes us inside the band's creative process, influences, and the secrets behind their old school crushing sound, what it really takes to stay motivated on the road and just how much they all love Britney Spears.

Discover how decades-old riffs can still shape a band's identity, why mixing old-school thrash with death metal elements is a recipe for audacious authenticity, and how their minimalist, no-filler album formula keeps listeners hooked from start to finish. Stefan reveals the band’s unique approach to songwriting—drawing inspiration from the Big Four (Five? Six?) — and how their Danish roots fuel a thriving local metal scene that’s bigger than most realize. They also dive into their gear choices, the pros and cons of digital vs. real amps, and how a shared love of Britney Spears surprisingly brought this band together. Britney Spears? Obviously. It's BRITNEY BITCH.

If you’re tired of bloated records with filler tracks, Casualties Of Violence might just be for you. The band's focus on tight, impactful metal exemplifies how less can be so much more. Perfect for fans of old-school thrash, fans who appreciate honest storytelling, or anyone curious about balancing raw passion with professional craftsmanship. Whether you're a musician or just a metalhead looking for inspiration, Stefan’s insights will hit you hard and leave you eager for more.

So grab a Smørrebrød and settle in for a chat about caveman riffs, the band's dream to conquer the world, and how a leotard and Britney obsession nearly made their stage will still make them a viral sensation.

Christian Andrés Almanza Bass, Vocals (2018-present)
See also: Vallis Mortem
Benjamin Stage Guitars (lead) (2016-present)
See also: ex-Cosmic Disorder, ex-Desecrator
Christopher Hejgaard Drums (2017-present)
See also: ex-Ilumize
Stefan Sørensen Guitars (rhythm) (2018-present)


WATCH


LISTEN

Staying on track with our recent deep dive into heavy bands out of Denmark, we have got with us today Stefan Sorenson,
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guitar player with Denmark's own Persecutor. If you're into old school '90s thrash with modern, aggressive and super melodic hooks, stick around as
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Stefan takes us through the band's latest album and exactly what it is that makes Perseutor tick. Stefan, thank you so much for joining us, man. How are you today?
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Thank you for having me. Um, I'm good.
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It's been a long day. It's getting late here. It's dark outside. Um but yeah, I was looking forward to this. I still am.
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Um so yeah, I'm excited. It's uh so awesome for you just to accept a message from a random guy from an unknown band.
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Well, I got to tell you, so I found out about you through the algorithm. Um and so I was looking at something to do with
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Kerry King. Um, and uh, all of a sudden I went through Hell I Rise and on the
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bottom was Persecutor and your your record. And I got to tell you, I sat there and listened to Casualties of
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Violence and then I went back to Carrie King's album and I liked your record better and the algorithm was, you know,
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telling me to listen to your record and I'm like, "This is great." and your album front to back was absolutely
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magnificent. Whereas Car's album was, you know, it was there were some highlights, but there was a lot of boring [ __ ] in it. So, let me ask you,
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what are the highlights for you of Casualties of Violence? Oh, um, straight to the point. I'm so [ __ ] at giving answers like this.
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Um, because sometimes it shifts from day to day what kind of mood you're in, what songs you prefer. One of the highlights
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for me is a song that's grown on me since we released the album and started bringing the songs um you know with us
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out you know to play live. It's um Iron Tide the second well it's technically the third song on the album but
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if you yeah take away the intro um Iron Tide is I wasn't really that big of a
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fan. It had some awesome elements, some I didn't really like, but the overall package of just delivery. I think it's an awesome song now and it's fun life.
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Um, and then I also like I like the closing song as well to Hold hands with Death.
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Uh, straightforward. Um, the the foot doesn't come off the gas pedal at any point. It's just relentless, I would
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say. um yeah to a point where we can still keep Yeah.
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The the entire album is relentless in that regard. It's just it's what 31 minutes of in your face Yeah.
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thrash old school thrash with new school vibe to it. It's a great record. What was the intent, you know, in terms of
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when you when you were developing your sound for the album? Were you pulling from old school notions or is that like where does where does the band live in
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terms of vibe most of the time? We're um like most people playing thresh thresh
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stuff we all grew up with the same bands. We all grew up with Metallica Testament Slayer Anthrax all of that
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stuff. Uh Cultura. Um, so, so we we have a like a foot in each camp.
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Uh, the old school stuff mixed in with the modern. Um, there's also that bit of um, death metal inspiration to some of the riffs, the drumming as well.
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Christopher's doing blast beats, all of that stuff. Um, so, so it's like an an I
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don't know, like an an homage to all the old stuff, the stuff we all grew up with and still love. Um, and then it's not
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like reinventing the wheel or anything, but but like a more modern approach to it, uh, in terms of sound, uh, the way
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we, yeah, put it together. Um, so, so it's a it's a mixed bag and sometimes a
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certain number just or track just feels or sounds better. Um, taking in one of
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the two directions, but mostly we just throw everything into a pot and just stir it until it sounds cool.
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Now, before we keep talking about the album, I I do have to ask you um you you went and played Coppenhell and
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Christian's outfit uh on stage. Um you chose Britney Spears to wear, I think, and but he looked like Freddy Mercury up
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there. Um why didn't the whole band wear the same outfit?
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None of us ask Christians to see. Um he's a he's a jacked guy.
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Uh we we can't pull off like a what do you call like a uniard leotard? Yeah. Yeah. I think that that was a leotard.
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Yeah. Uh we can't pull this stuff off.
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He can't. Um and it's he has a few. Um our drummer Christopher his mom makes them.
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Um so yeah uh he has a few but um for the last few years they've actually just
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been kept in the closet and haven't been brought out much but we thought what the hell um when it yeah looking back at the
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Copenhell concert and for me personally I mean you always see dudes in your
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favorite black metal shirt and camo shorts and all of that and I do like Britney Spears so I was like I'm [ __ ] bringing Britney on the stage with me.
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Um, so yeah.
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Well, well, when we put the short together on this, we'll tag Britney on it and maybe she'll, you know, send you some love.
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[ __ ] yeah. I'll take is Britney [ __ ] uh on the back. Yeah, love it.
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We we try and stay away from the the you know the the kind of tried and trueue questions like who are your influences and all that but you bring up a good
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point that you are a fan of Britney's music whether you're joking or not when you say that when you hear pop music.
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Okay. All right. Which is which is fair.
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Are there any pop music styles or influences that you guys draw from and inject into what you're doing? any
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styles outside of, you know, thrash metal, say?
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Yeah. Um, I I don't I don't think there is or or they ever will be. Um, I wish
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we had like I don't know the talent or the creativity to try and mix that stuff up. But actually, I don't think it it
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will work out that well. It's it's just for, you know, p let's say private private consumption. um all the pop
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stuff as well. Some of us like it more than others, but I I think we can all agree on on bands like Queen. Um and
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sometimes just again like I mentioned earlier, um some songs just they they know they don't need to be that
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complicated. You know, the classic setup, you have a verse, you have a pre chorus and a chorus, stuff like that. um the way to build a song like the the
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whole I'm not saying pop music is simple but sometimes it is you know and and that approach can work as well in the
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metal side of things. Again our album is 31 minutes long or something like that.
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Uh it just it just works. It's not too much. It's not too little for us. It's the perfect length. Again, some songs
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are longer than others, but that whole pop approach, those three and a half minute, four minute songs, it works.
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It certainly does. Um, going back to Christian, how did you guys get to come
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together um as a band? When, you know, who knew each other? And then, you know, Christian's a talented guy. You're all talented. I mean, my god, the the
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precision by which that you deliver incredible metal and thrash is great, but um you know, the it's hard to sing
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the way that he sings and play bass. So, it it led me to how did you guys find each other and agree on the sound?
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Okay. Um we have to go a bit back. Um, so Christian used to play bass and sing
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in a band called Valism Mortm and they shared what do you call like a rehearsal space, practice space with
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uh persecutor who were called desecrator back then other band members um Benjamin the other guitarist he's the only close
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to being original member at this point um but they knew each other she had rehearsal space all of that and I Um, I
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just I I moved uh we we're based uh in a city called Haw and I moved to that city
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without really knowing anyone. Um, and I just got lucky one day. I worked at uh what's it called? Like uh we don't have
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them anymore, but a shop that sold CDs, you know, physical media, stuff like that. Mhm.
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Benjamin came in one day and bought two uh anthrax CDs off me. Um, and uh, funny
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enough, the apartment I moved into, the guy living underneath me was the basist at that point in uh, Descrator. And he
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was like, "Are you living above him?" And I was like, "Yeah, I do." And we started talking. And then I started hanging out with the guys, having a
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couple of beers, stuff like that. And just got involved with them without playing with and we just started hanging
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out on the weekends. And then Christian's whole band, they stopped playing. And the funny thing is Christian's always been a fan of
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Desecrator or Persecutor. Uh, and then, uh, in the summer of 2018, Persecutor
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had a lineup changed, kind of kicked out the old singer and guitarist. Um, and they needed, you know, new members.
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Christian was like an immediate thought for them and they knew me and I played a little bit of guitar, not that much. And
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they just wrote me and I was like, "Hey, do you want to look at like I think three songs? Come practice with us." Yeah, let's see if it works out. And it
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did. And Christian uh picked up the bass as well. Yeah, that's really it.
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Isn't it amazing how a shared love of Britney Spears can bring a band together? Mo most of us like Britney, not all. But yeah, but but that's more or less it again.
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Denmark's not that big. Horses is definite. And sharing a practice space and knowing, you know, the few people at
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the local, you know, metal stage. Yeah, it was just an obvious choice.
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Clearly, there was at least a small metal scene there in that town. What What is the metal scene like? Has it grown since then? Or if you take Denmark in general, yeah, it's definitely grown.
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But horses were based, uh, no, it's the opposite direction. Um, but but the
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metal scene is thriving like it hasn't been for, I don't know, 10, 15 years.
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It's things are actually going pretty great when you look at like, you know, the big picture. Yeah.
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Yeah. We've been interviewing more and more bands from Denmark and asking you guys to stay up late over there and meet with us cuz we John and I are old and
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10:00 here we're in bed. Well, not John, he's a night owl, but he's up playing Grand Theft Auto until ours. I am
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ancient fussle and need to go to bed at 10. We all we need our wrist. Yeah.
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Yeah, exactly. Um, getting back to the album. Um, tell me a little bit about and tell us a little bit about did you
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have a vision for this record? Was there something that you were looking to achieve when writing and and recording this record? Anything that you can give
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us that maybe you haven't talked about or the band hasn't talked about publicly before?
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Um, I'll do my best. Uh, I know you guys just uh spoke to Detonate. Um, yes.
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Yeah. Um, those guys, they're everything we're not. They are calculated. They
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have a clear vision. We We just play what we think sounds cool, if you know what I do. Um,
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say we had we had a vision for the album. I I don't necessarily think we did. It's It's taken a while to put
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together. The eight songs, nine if you include the intro, they've actually been worked on throughout.
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Some of the ideas are like at least 5 years old. Some got cut off from the old album Vendetta. Um, so, so I don't think
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we had like a a vision per se, just just, you know, still that we still do right now, but but that feeling of just
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wanting to do more more aggression, just push push it as far as we can with our
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skills and just see where we can take it. Um, not just the music, but the people we're working with, how far push
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it, can we get it, you know, outside of the Danish borders? Is there any interest for stuff like this or is everybody just into um old school death
13 minutes, 40 seconds
metal like they are in Denmark right now which is fine but um so so there's no like there's no um what do you call like
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a fine red line throughout the album um or any like specific themes we're sticking to like a concept album. It's
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just four idiots creating what they think sound basically. We're two idiots that just talk to a bunch of idiots that
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make loud music. So, it all works. We're all idiots. And I love it. I love it.
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So, this for you, this is a a like you said, there's not an overarching theme to the tracks on this record. It's more
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a collection of just moments of music that you guys have worked on for as far back as a couple five years up to present.
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Yeah. How much, if any, of the stuff got written in the studio or did you have it all pretty much locked up before you
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guys went into track? Everything is pretty much locked up before we hit the studio. Um, we've for for the few albums
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we've done, we've worked with the same guy, uh, Andreas. Um, he's behind, uh, Danish a a bunch of different Danish
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bands. um mostly based uh the biggest death metal act we have right now. He always has, you know, a few inputs and that's why we like working with him.
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He's like, "Oh, I have an idea." And it's always [ __ ] brilliant. Um idea.
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Yeah. But but everything is mostly locked in. I think for this one we rewrote um a couple of solos maybe and I
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think some of the lyrics um like the last few sentences and some of the
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phrasing were done in the studio while Christopher was tracking drums or Benjamin was tracking his solo or something.
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Christian and I finished the last um lyric details and like uh you can approach it this way or this way. Um,
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but everything is more or less set and then it's the all the small inputs and details from Andreas that always, you
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know, adds the the extra spice. He just has that producer ear like things we wouldn't ever ever think about or like he just try this and it just it worked.
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It's magic. Well, I noticed uh on this and you certainly there are solos, there's leads on this album, but a lot of the leads tend to take place sort of
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in the in the middle of the fretboard as opposed to, you know, up high on the neck on the 24th fret. How how much by
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design was that that those all got woven into sort of, you know, that mid-range as opposed to peeking out through the top?
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Yeah. Yeah. Going for the 24th fret. Um it it is it is by design. Um, again we spoke about, you know, inspirations.
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I would say Benjamin and I, uh, for me, um, I like a lot of silosis. Um, and
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also for Benjamin and I, uh, Swedish band, The Haunted. And, um, they have a
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this approach to like elite harmonies that this, like you mentioned, um, kind
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of mid-rangy. Um, and a lot of it was drawn from like those two bands specifically. Yeah. So, it's it's we're just stealing.
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Did you Was it tough to to to make that happen without fighting the rhythm guitars during those sections? Uh, actually, no.
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Or was that a producer move, the mixing engineer?
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I I think a lot of a lot of has to do with um the whole mixing. Um but but we
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we've played everything so many times um in our practice space and testing out ideas. Should you play this way? Should I move it up higher? Should I go lower?
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Um back and forth, back and forth. And just until we find the right harmony or where the lead fits the rhythm. Um
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and then at some point we're like, it's fine. Don't touch it. Leave it at it.
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It worked. Just Yeah. So, so there is a a certain level of attention, but uh without getting into um the dead territory of nerdiness.
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Yeah, they're nerds. Um speaking, I'm going to go nerdy actually on you a little bit here. Um
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how did you get to a place like how did you pick the gear that works for you to create that old school thrashy sound?
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What do you use? What's your what's your what's your armor and weapons? It is super super super basic. Um, I love
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gear. I think I'm the guy that loves gear the most. Um, John John will challenge you on that one. He He's a He gear is porn for him.
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Yeah.
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Yeah. Um, I love looking at the stuff, but I'm just a poor musician like everybody else, so I don't have, you know, the extra income to throw after,
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you know, boutique guitar amps. Uh, it's pretty basic. T150.
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Yeah, it it it just works. Either the old school PD block letter or EVH.
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Yeah. Uh we used both Benjamin and I for quite a while. We both had the 50 watt uh head EVH 5153.
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Um and it's mostly based on that. We did some on this album after everything was recorded. Andreas was done and we
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shipped it to Germany for all the mixing and mastering. Um, we did a bit of reamping. I've been diving into Engle
19 minutes, 25 seconds
amplification. Um, especially the Engle Savage and uh, Nino, the guy handling the
19 minutes, 33 seconds
mixing and mastering, he's um, I think fully endorsed by Engle. So he has like a stack of just ankle heads and he's like, "What do you want?
19 minutes, 43 seconds
The savage, please see what you can do." Yeah. So there's a bit of the angle savage. Um I'm already looking into
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ideas for when we're doing our next album or EP or whatever. Um this is uh I think it's a German brand as well called
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Driftwood. Um they make an amplifier called the Purple Nightmare sound source. I had a quick quick quick quick
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chat with uh Ree from Havoc. Um um a thresh metal band. You guys definitely know them.
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Yeah, we know.
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Yeah. Um and the the album they did a few years ago called Yeah. Just You know, V or five. Um I asked him what
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amps they were using because that album just sound sick to me and it was the Purple Nightmare. Um, so I'm looking
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into how we can get that, but I think it's just going to be like, you know, um, um, what do you call like a digital
20 minutes, 41 seconds
amplifier, either quad cortex or keer or something like that. But yeah, there's a lot of ways to take it.
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Yeah. Where do you stand on real physical amps versus modelers? Like you said, Keer, Helix.
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Yeah. Um, Benjamin and I both switched to digital.
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Um, I like both. There's something about it's it's the same thing everybody tells you. Something about a real amp pushing
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air through a cabinet behind you that cannot be beaten. But getting older, we
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haven't done much of flying around, but we have done some. Carrying around um a 50 watt or 100 watt head, whatever um is just [ __ ] inconvenient.
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But having everything on just I I have a keer profiler player which is like this big.
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I just threw it in my backpack and just a guitar in each hand and I'm good to go. And Benjamin is using the
21 minutes, 43 seconds
quad cortex. It's I mean once you're on stage and everything is playing full blast drums everything I don't think you
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can tell the difference really. I don't I don't think so. There might be a few guys in the audience that can, but but
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mostly nah, I don't think you can. Once you start geeking out, finding the right profiles, all the settings, all of that
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stuff. You you you can get some killer tones. And it's an easy way if you're a gear nerd to like try out different stuff as well without breaking, you
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know, your bank. So, you want a Marshall, you want an EVH, you want a Driftwood, you just download a profile.
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you had um when we first started talking about doing this, you had mentioned caveman riffs, talking caveman riffs.
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And I was thinking about it and I was like, "Okay, are you going to talk about his caveman riffs or what to you are the
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top five caveman riffs that come to mind that you cannot be who you are today if they didn't exist?" We can do both.
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Let's do both. I'll see if I can do a top five. one of um SOD Stormtroopers of Death.
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Uh yeah. Um it it's just it's just a banger riff. I was watching you guys actually and you spoke about Testament
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and I was like, "Oh [ __ ] I have to go back and listen to some Testament." The Gathering album. Yeah.
23 minutes, 8 seconds
Is um tuned down to C standard and it's just there's so many awesome riffs on that album. Yeah.
23 minutes, 18 seconds
Some of the titles are gone, but there's just so much packed into that ca caveman wise. It's just so heavy. And then
23 minutes, 26 seconds
everything supported by Dave Lombardo on the drums. Um he's my favorite. So it's
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it's a match made in heaven. And then more recently, it's not that caveman, but then again, you have um you get a stink face from it. You go.
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Yeah. Yeah. Yeah. The chucking is just Yeah.
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It just gets you. You have to like stick out your your lips like Yeah.
23 minutes, 53 seconds
You have um guys like uh Power Chip or after they kind of took a break, Fugitive. Blake continued.
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Did you see that we had Blake on here? I did and I watched it. Awesome. Um, and
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and some of the riffs those guys do are just insanely [ __ ] heavy and it's
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just all E standard and it it's it's like a a modern approach for me at least. So like the the good old school like caveman riffs.
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Um, what else comes to mind? Like good caveman riffs. Um they're not playing anymore, but I'm a huge huge fan of a I
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think the Detroitbased uh band called Plague Years. Yeah.
24 minutes, 42 seconds
Um they did a few albums and then uh one of the band members I think lost his daughter. Uh yeah. And they called it
24 minutes, 50 seconds
quits, which is more than fair. Um but they they they just have a sound that just
24 minutes, 58 seconds
inately connected with me. Um, and they are definitely worth checking out if you haven't dived into plate gears. It Yeah,
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it it's caveman but with a modern yet old school approach. It's just it's just heavy. It's just disgusting in a cool way.
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Yeah.
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What are your five? Like what are you what are you most proud of for riffs with Persecutor?
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Damn. I don't know. I don't know if I'm necessarily proud of anything. Um, I just Well, you should be.
25 minutes, 29 seconds
I don't know. It's just it's just a bunch of dumb ideas thrown together. Well, think think about this, though.
25 minutes, 36 seconds
We're we're half way around the world and your music moved us and I've got a 12-year-old that loves it. And so, you
25 minutes, 44 seconds
know, it's it may be caveman coming together just hanging out, you know, dressing in leotards, but it's pretty
25 minutes, 52 seconds
darn good music that has cavemen and leotards.
25 minutes, 55 seconds
Thank you. Um, I think, um, one of the songs, not just riffwise,
26 minutes, 2 seconds
but just one of the songs I'm most proud of is, uh, on the second album, Vendetta. Um, the longest track we've
26 minutes, 11 seconds
ever done, seven and something minutes, nothing remains. It has a bunch of really cool different elements that kind
26 minutes, 19 seconds
of thumbs up, I guess, what we kind of do as a band. And just from the fast
26 minutes, 28 seconds
intro riff to the death metal kind of break in the middle to the low and crushing, you know, outro of the song.
26 minutes, 36 seconds
Um, that one is really cool and always gets, you know, the crowd going. And then I think on the new album, um, Born
26 minutes, 44 seconds
and Blood, the opening track, um, I like that one a lot as well. It's actually pretty caveman if you if you break it
26 minutes, 53 seconds
down. It's just a lot of gallop gallop gallop gallop. Um, and then switched into tremolo picking at the
27 minutes
same riff basically. But that idea has been with me since I think 2020
27 minutes, 9 seconds
and then reworked, brought into the rehearsal space, shot down, took it with
27 minutes, 16 seconds
me back home, reworked it, brought it back, and a lot of back and forth until we settled on cool. I think this can
27 minutes, 23 seconds
work. And then we hit the studio and Andreas just sprinkled a bit of extra producer magic on top of it. Um, I think
27 minutes, 33 seconds
Born in Blood is a pretty cool song and it's just it it kind of sums up who I am. Uh, I
27 minutes, 41 seconds
wrote most of it and the lyrics and it's all um Lovecraftian uh video games, Cthulhu nerdy stuff and
27 minutes, 51 seconds
yeah, it's it's it's what makes, you know, music writing fun when you can like bring in all the stuff that you
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personally like and maybe there's like five people out there who's like, "Ah, I know what he's talking about.
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Yeah, I played that game." stuff like that. Yeah.
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What uh what song or band do you listen to that is part of your personal music library that would surprise people?
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Yeah, that's a good question. I listen to a lot. We all do. What could that be?
28 minutes, 24 seconds
I don't know if there's any surprises. I I like I like a lot of stuff. I like Do you have a stack of Selen Dion discs,
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you know, in back that you just absolutely love? But it it's not impossible.
28 minutes, 38 seconds
I do have a soft spot for uh a lot of um my mom listens to or used to listen to a lot of dire straits which is it's not
28 minutes, 47 seconds
you know most guitarists know know them well but a lot of dire straits
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um also grew up with her listening to a bunch of Johnny Cash some Fleetwood Mac as well again not none of these are like
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that that stand out but it it's pretty like embedded in in who I Yeah. What I like I like a lot of
29 minutes, 11 seconds
different stuff. Um right now I'm I'm digging into like an Australian punk band called Rat Salad.
29 minutes, 20 seconds
So a lot of different stuff. Um that last question and then we'll get into the uh quickies that John likes to do.
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Uh what's the goal for the band? Where where do you guys want to go?
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Uh the same as everyone else. Yeah. We want to travel the world and play uh
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clubs, venues, uh stadiums, festivals, all of that stuff. And been doing this
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for 8 years now. And you know, personal life, families, all of that, you know, quickly realizing it's a struggle. It
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takes a lot of work. Not that we've lost momentum, but I think we kind of somewhere in the middle of all this had
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to like take a look at it again like how can we approach this without, you know, losing a band member um or getting
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stressed out. So, so the goal hasn't changed. We still want to, like I just said, you know, travel the world, play
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um yeah, just play what we think is awesome music and hopefully connect with a bunch of people and just have fun and
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yeah, just sticking with it for as long as we can see ourselves, you know, doing this, having fun with it.
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I have an idea cuz I'm in marketing. Um you see Galactus over my shoulder. Maybe maybe the next time you guys play like a
30 minutes, 43 seconds
big festival, Christian can wear a Galactus helmet along with the leotard and that might be the very thing that
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puts you guys over the top and you become rich beyond your wildest dreams.
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Galacticus Mercury Galactis. Yeah. Yeah. That's our ticket to going viral.
31 minutes
That's right. That's right. Well, you guys got to you guys got to keep doing what you're doing because um you know, this is a crusher record and uh if you
31 minutes, 9 seconds
don't gain some ground from it, I will be very surprised.
31 minutes, 12 seconds
Yeah. And I got to tell you, I mean, again, I and I'm not lying to you. From Hell I Rise by Carrie King, your record blows it away. Um I do love some of the
31 minutes, 21 seconds
low-end stuff. I love all everything that you guys do, but you know, Christian's Low End has a Chuck Billy thing going on and I really really
31 minutes, 30 seconds
caught on to that because I've was I've been with Testament since the beginning and I love Chuck Billy and he's not
31 minutes, 37 seconds
going to be around forever and so I I I really do love what you did there. I even saw some of the framing and leadins
31 minutes, 45 seconds
to his lower end stuff that was very reminiscent of Testament. So, I appreciate that and really do want good stuff for you guys and keep have have you keep going.
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It's it's amazing. Thank you. I I don't know what to say.
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It's it's um Yeah, I suck at stuff like that. This it's it's too much. But but we [ __ ] appreciate it. It means the world. It really does. Yeah.
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Well, it's easy. You know, we're the we get to hear the fruits of your labor.
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And you know, I I think Dererick and I tend to stick to to music and bands and
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styles that we're into obviously. Um, but uh it's great to have something pop up on the radar that, you know, we
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didn't know anything about before when it's amazing. And this is a great record, man. This is a really powerful 30 minutes. You know what? Another cool
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thing, and then we'll get to quickies, but another cool thing that I really like is, like you said, it's 31 minutes, but it is a powerp packed 31 minutes.
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And I wish it was 45 minutes or 47 minutes, but I'm almost glad it's not because it feels to me like you guys
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said everything you needed to say and then stopped. There's no [ __ ] There's no filler. And I think that's important because it's a it's easy to
33 minutes, 2 seconds
go, "Oh, let's drop some interludes in." And you know, there's a place for interludes. And no filler, just killer.
33 minutes, 8 seconds
Yeah. All filler. Yeah. Oh, sorry. All killer, no filler. Yeah.
33 minutes, 12 seconds
Yeah. Yeah. And that's how your album plays. So, props to you guys on that.
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It's the um it's the player uh Rain in Blood Approach. Um how long is that album? 30 minutes, I think. Something
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like that. It's I would much rather personally put on an album that takes I
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don't know 20 minutes, 30, 35 minutes and just be blown away and immediately
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just restart it from top to bottom. Much rather than having a 45inut record where
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I'm I'm kind of getting lost in the last third of the album like the songs are starting to like flow together. I don't
33 minutes, 56 seconds
think it's my attention span. I don't know. It might be. Um but but it's all personal preferences. I mean, I like a I still listen to Prague metal some of the
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times and you have like an hour or an hour and 30 minute long albums and there's a place for that. But for what
34 minutes, 12 seconds
we're doing, I don't think we might put in an extra song or two on the new album. Who knows? But I don't
34 minutes, 20 seconds
think we'll go much high higher than maybe 35 minutes. Mhm. I I don't think it's necessary really.
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Yeah. I think you can lose some impact when you when you do that.
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Yeah. And again, I would much rather just have people go, that was [ __ ] awesome. I'll just restart it and take
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the journey again. Yeah. Well, your album is [ __ ] awesome, and I have restarted it many, many, many times over the last week, so know that.
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Yeah, thank you. All right, so this next section is called quickies. It's just this or that type questions. Don't think
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about it too much. If you want to expound an answer, feel free. If not, that's fine, too. First question, scalding hot coffee or freezing cold energy drinks?
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I love both. It's summer. I'll go for a freezing cold energy drink. Yeah.
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Uh the absolute perfect pick attack or the absolute perfect string tension. Uh string tension. Yeah. Okay.
35 minutes, 23 seconds
Yeah.
35 minutes, 23 seconds
Eternal downpicking or alternate picking complexity?
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Down picking down. I think that's the right answer.
35 minutes, 31 seconds
Yeah, it is. It is the right answer and you know it.
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a uh a smartphone with a horribly cracked screen that works perfectly or a brand new phone with a painfully slow internet connection.
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I'll take the slow internet connection. I can I can do fine. Yeah. Yeah.
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Okay. Well, you can come down here to uh uh to to my my part of the world in Southwest Florida where we have coconut internet and uh we can suffer together.
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recording in a high-end sterile studio setup or recording in the sweaty chaotic rehearsal room where you track the demos.
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Rehearsal room. Yeah, like a gritty vibe. Keep it real. Yeah.
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Nice. Okay. Now, this one I I debated whether or not to to to ask this one because I am terrible with
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pronunciations. So, please forgive me and bear with me. After a show, are you going to go with a smurabbr or a tasty greasy kebab?
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A kebab. Yeah. Yeah, definitely.
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Now, because I don't want to I don't want to blow this one. You have to explain to me exactly what a smur is.
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And did how how do I do on the pronunciation?
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It's actually pretty good. Um Yes.
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Um again, us dumb Nordic countries, we have a few extra letters in the alphabet. You guys don't.
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Right. Right. And they they can be quite tricky because Danish is it's a dumb language. It's um
37 minutes
it kind of is. It's always that that approach to like people telling me like it sounds like you you take a potato, you put it in your mouth, and you go
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it's Danish. But yeah, it's called um it's um you guys have rye bread, right?
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Yes. Yeah. Um it it's like a it's like a fancy piece of rye bread. Um just
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stacked with slice after slice slice of like it could be cold cuts, could be um
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you know eggs, shrimps, mayo, all of that stuff. Just like a a fancy extravagant piece of rye bread really. Okay.
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For me might be a bit overrated. Nah, I don't know. I'll take I think I'm going to go for the kebab, too. Yeah, I'll take a kebab.
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Yeah. Any day.
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All right, last one and then and then we'll let you go. A meticulously planned minute-by-minute daily tour schedule or
38 minutes, 2 seconds
completely winging it and just going with whatever happens because I would say most of most of the time I would just go with the flow. But we haven't been that much on the road.
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But when we are sometimes having like a schedule can help because you you do get
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tired at some point. Like that is not a MLY crew answer. I was hoping for hookers and blow and like a crazy day and not knowing where you're
38 minutes, 30 seconds
going to end up and no [ __ ] no we'll make the next show. Who knows? Maybe. It's such a boring answer, but can I have a just a bit of both?
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Sure. Someday we'll allow it.
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Yeah. Sundays more chaotic, some a bit more structured, and I think every everyone in the band can survive that.
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Yeah. Yeah.
38 minutes, 50 seconds
Fair enough. Good answers, man. Well, listen, we appreciate your time. We appreciate you hanging out with us.
38 minutes, 55 seconds
Thank you so much. And thank you for again having me um on such short notice and yeah, listening to me for what now
39 minutes, 2 seconds
50 Yeah, for 50 minutes just fumbling my way through. Well, listen, I'm going to cut this down. This is going to wind up being like 12 minutes.
39 minutes, 11 seconds
Yeah, it'll be shorter than your record because you didn't really give us a lot to go on, you know. Just just kidding with you. It was great.
39 minutes, 18 seconds
It's fine.
39 minutes, 20 seconds
Thank you so much. I want to quickly get into um it has nothing to do with with our album. It's just a personal um
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opinion. You guys were talking about Testament and the Big Four becoming the big five, right? Yeah.
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[ __ ] yeah. Testament all the way. Yeah, you so you read that blog.
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Yeah, I've been saying that for years and and the thing is is you look at Peterson and Skolnick and and you add in Chuck on top
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of that, the talent level of that those three comparatively to some of the other B, you know, band members of the big four.
39 minutes, 55 seconds
Yeah.
39 minutes, 56 seconds
Not even close. I mean, you know, look, you can't compete with Slayer with with with Tom and and Henman and and um and
40 minutes, 3 seconds
Carrie and Lombardo. Um, team setfield is in his own place. Dave Mustang is in own his own place. But you take the
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three of them in testament. They can compete.
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In some cases, I would almost go as far as say they can run circles around like
40 minutes, 20 seconds
almost I love all of them. again thresh metal but sentiment is also for me the I think
40 minutes, 30 seconds
more or less they've just gotten better and better and better with with age. You mentioned Christian sounding a bit like
40 minutes, 38 seconds
Chuck. I think the older Chuck has gotten the better his voice has just
40 minutes, 44 seconds
gotten as well. He sounds so [ __ ] brutal on the last few records. um totally
40 minutes, 52 seconds
Parabellum from last year. Um the production in general, the new drummer, everything is just
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it's just top tier modern. Um yeah, testament thresh metal. It's it is [ __ ] stink. Love it.
41 minutes, 8 seconds
Yeah. I thought that the Parabellum record was right there with um you know like Souls of Black and the Gathering, you know, going way back like it like I
41 minutes, 17 seconds
and I look I've liked their records since then, but that one went back to their roots.
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It is, you know, it it is awesome. Yeah.
41 minutes, 25 seconds
Well, we will leave you with this. Let's take that last sentiment again. Thank you for joining us. We love the record.
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Anything we can do to get it out there, we're going to. And we appreciate your time today. So, when we sign off, what I
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want you to think about is instead of a big four or a big five, I want to put out for your consideration a big six.
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Let's add Britney.
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But Britney, she she has Britney Spears.
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Yeah. Yeah. But but she has to close every night. And you do know that.
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Who else would close on a bill like that? Of course, it's going to be Britney [ __ ] Yeah, it's Britney [ __ ] Do do you think that modern Britney has
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hookers and blow these days? Yeah, if you follow her social media stuff, you would not be beat up for thinking she does.
42 minutes, 9 seconds
Yeah, I I think I you you mentioned the Mly Crew lifestyle. I think that's pretty much going back to like the whole '8s hookers blow, all of that.
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So, you're you're saying your idol Britney is into that stuff?
42 minutes, 24 seconds
Idol is a stretch, but but she has Look, it's just us here talking. Nobody's watching, man. Who can admit it?
42 minutes, 32 seconds
Trust me. Trust me. I I don't do guilty pleasures. I just I stand with what I love. I don't care. Um yeah, if it's pop
42 minutes, 40 seconds
music, jazz, whatever. Don't do guilty pleasures. Just enjoy what you enjoy and let other people have their opinion. So
42 minutes, 47 seconds
yeah, and that's how you end it right there. Thank you guys. Thank you for having me.
42 minutes, 52 seconds
And hopefully we can do this again sometime. Absolutely. Anytime. Great stuff, man.
Stefan Sorenson Profile Photo

Guitarist in Persecutor