July 15, 2026

Amon Amarth - Uuphaf - Single Review

In this episode, John and Derek dig into Amon Amarth’s new acoustic surprise, “upphaf” and debate whether the band’s newer sound is a bold evolution or a step too far from their roots. Longtime fans might argue that Amon Amarth has shifted toward polished, fist-pumping festival anthems and too far away from tracks like “First Kill.” And thus the question comes back again: Are bands able to successfully evolve and change their styles and vibes without alienating their fan bases?

WATCH

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Amanomarth gave us a new single today.
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It's called and full disclosure. I don't know much from Amanarth. I've been aware of them
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for a long time, but they've got a new single. Derek turned me on to it today and we're going to chat about it real quick right now. [music]
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I'm going to be very unpopular with Aman
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[music]
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fans and I'm sorry, but not really. Uh, bottom line is this is their jump the
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shark sellout moment. You cannot do a folk acoustic track with a death metal vocals when you're a death metal band.
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It just does not work.
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Is this a Monomarth Is this a Monomear's patience?
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It is a Monomarth's patience. And all the Guns and Roses fans were like, "What's this? You go from welcome to the jungle to patience.
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I'm sorry, but really literally since 2020, Amanarth has put out so many songs
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like the the great heathen army was all it was was a bunch of fist pumping anthem songs to to make everybody at
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whack in open air chant along. And what has been lost and this is a pivot.
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They've completely pivoted away from who they were. uh polished production, chance, uh giving up on death metal
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completely, not doing any storytelling around, uh Nordic culture and Vikings.
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Um some I will say some, but it really has like they've abandoned everything that made them popular. Um right up
1 minute, 41 seconds
through 2019's Berserker. um from everything from 2020 on has been like even their covers. They had cool Vikings
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with like arrows sticking out of them and blood covered axes to themselves in cosplay on the great heathen army and it
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just isn't working for the longtime fan and I've been a huge ammon fan. I've got flags of theirs and shirts of theirs and
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hoodies of theirs and this just has gone too far to the mainstream. It's an absolute cash grab and it doesn't work.
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Now again, uh, as I've said, and those who wish to feel free to chew me up for not not knowing a Monomarth, uh, really
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at all. But so you shared this track with me today. I just gave it a first spin. And then you had me go back to
2 minutes, 33 seconds
First Kill, which I think you said was from 2016.
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So I listened to Yep. So, I listened to UPOP off first and then skipped back 10 years and
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listened to First Kill. And objectively, what do I think of UPF? Because I don't know the band or certainly don't, you
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know, I just don't know the band that well. When I listened to it, I thought, okay, all right, this is a vibe. This is uh I thought the contrast of the
2 minutes, 59 seconds
guttural vocal style over the acoustic guitars. Uh, it's certainly a choice.
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It's not the kind of thing that I'm really into, but okay. And then you had me spin first kill from again 10 years
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ago. And I see what you're illustrating there, the difference between what they did a decade ago and what they're doing
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now. Motivations. I, you know, hell, I'm in no position to speculate why, but uh it is a significant shift from one style
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to something very, very different. Now you said 2020 everything since 2020 has kind of lost what they had 10 years ago.
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Is that just I mean what do you know is there a reasoning behind the shift or or and they've had more commercial success?
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Okay. So is this a matter because again I love to bring this up whether or not bands have the right to evolve. Is this
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an evolution in style because they've changed who they are or you know who they've changed as people or are you
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you seem pretty locked in on the notion that this is more commercially viable and therefore that's the path they're taking?
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2013, Deceiver of the Gods came out. Um, and they had a lot of success with that record. And then from there, they did
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John Spiking, which was also an incredible amount of success. And then Berserker in 2019.
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At that point, they started being invited to headline a lot of and and play a lot of um festivals. I went and
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saw them open for Slayer on Slayer's last tour and they were great. But I think what has happened here is they've
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started uh changing their identity and they're writing music like Put Your Back uh into the ore. I forget I forget the
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exact name of it. Um it's on the great heathen army. Let me get this right. Um okay. Yeah, with put your back into the ore.
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you know, that was playing at the FIFA World Cup this year and and everybody in the stands is doing the Ore thing. And
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so, they've had a ton of success with their music. But the problem is is that the tracks that they put out, The Great Heathen Army, some of the tracks around
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it are all about filling stadiums and getting fist pumped. And the production's gotten really, really,
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really pristine. Um, it's not as heavy as it used to be. It's more about a Viking shtick versus Viking culture and
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Viking lore. And they've lost me as a fan. I I literally cannot get behind
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this. And it should have it told me everything when I looked at the last album when they were all dressed up.
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They were on the cover. Not Vikings, not cool Vikings that you put on t-shirts.
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um not storytelling of Viking lore, but these anthems on the great heathen army and it just doesn't work. Like get in
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the ring, it's all about the octagon and ultimate fighting. It it is that that was and it getting in it's it's about
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the the ultimate fighting and they lost pugilism. Sure. They they lost me on that record.
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I'm I'm if I could play the violin, I would I would play a funeral song for Aman. And for me, I am done. I'm not
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going to see them on tour. Um, I will listen to the next record and hope that this acoustic, what's it called? Off.
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Up. Yeah. I believe I'm pronouncing that right. Yeah.
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Well, I'll I'll hope that that's just a a filler and that maybe they'll get back to their roots and maybe they'll put a cool Viking that's bleeding and killing
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back on the cover or like Deceiver of the Gods. look at that album cover and tell me that's not an album cover you an album you want to pick up when you're in
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the store you know is I just want to see sorry is UP off a leadin single to a new
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album do you know I'm I'm looking it up now I think so they let up with a couple um a couple releases leading into the great
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heathen army in 2022 um and I didn't like any of the the the uh heatun was one of them um didn't didn't love it and Um, yeah.
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That that album I I listened to it once and I was like, I don't even want to bring it up, you know, like again. So, I I forgot about it. Said, "Okay, we'll
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we'll we'll look at the next record and this is not looking good." Well, I just asked the internet and as we know, the internet is never wrong.
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But according to the internet, uh, Amanarth does have their 13th studio album uh, expected to drop by the end of this year, 2026.
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While the album doesn't have an official title or exact release date locked in yet, the band is actively teasing the next era. In fact, right along UPF,
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their first ever acoustic track, they've live premiered a thunderous new song called We Rule the Waves. frontman Johan
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Heg, hope I'm getting that right, has mentioned that the upcoming record will feature some of their most diverse work yet, drawing a bit of classic melodic
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inspiration from bands like Iron Maiden while keeping the heavy mythic Viking themes intact. So hopefully you will be
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less disappointed with the rest of the offerings on this album whenever it does come out. Listen, I am a fan of Johan. I think he's got a unique voice. Um, I
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think he's limited. Let's be honest. I mean, this track, his vocals to me don't fit over an acoustic track at all. I
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would have liked to heard him sing something clean. What do I know? That said, um I Derek, let's hear your album.
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Yeah, exactly. Well, you and I have some stuff recorded and we're not ever letting that out. Nope. Never going out.
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Never going out. But that being said, it's it's just again, I'm a longtime fan. And I go back to Twilight of the
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Thunder God in 2008. [clears throat] That's when I got introduced to them.
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That's when they kind of took this step up from being just a death metal band to being a little bit more thrashy, more storytelling. And look, if they want to
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evolve into a band that headlines festivals and gets everybody pumping their fists and and drinking beer, then
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so be it. I'm just not along for the ride. It's disappointing to me because they had such a cool sound and a cool thing going on and it's not cool
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anymore. It's a stickick. It's a It's cheesy.
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Well, that's the thing and we always land at this point and that is that bands do have the right to evolve and change their sound as they release
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albums, but they do so at the risk of alienating uh part of the fan base.
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some, if not the majority or the minority or whatever, some of their fan base may disappear. And this seems to be the case for you.
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Yeah. I'm out. I'm done. I I I used to, if they came to wherever I was, I went and that is no longer the case. And I
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have my platform, which is our small little cut of the world, and I'm going to say my piece here, and if they see it, great. And they'll probably say, "Well, [ __ ] him. See you. Goodbye.
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Thanks. thanks for spending a lot of money with us in the past, but you know, it is what it is and life goes on.
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When the album comes out later this year, ostensibly, we will give it a spin and in the ensuing months, uh, in my not
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necessarily copious free time. I will try and learn some of their back catalog so I can speak a little bit more intelligently about the band. I would
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start with Twilight of the Thunder Gods, move on to The Deceiver of the Gods, then John's
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Viking and Berserker. Those are the High Watermark albums. Anything before that was, you know, more of a death metal
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feel, and anything after that has been not your favorite. [music] Not my favorite. [laughter]
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All right, done. We have a mission [music] between now and whenever that record comes out, then.
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All right, sounds good. All right, sounds good. Appreciate you bringing it to me, man. Always good to talk about [ __ ] whether whether I love it or you love it or one of us doesn't. It's life.
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Let's get Johan on. Let's chat with him about it. Okay. All right. Sounds good. Until the next one, brother.
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[music]
Derek Showerhead Profile Photo

Founder of ShitTalkReviews

John Staley Profile Photo

Founder of ShitTalkReviews